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Steering a Middle Course
Born with motor impairment, Sarwono Kusumaatmadja grew up with low self-esteem. Yet, within this awkward, shy boy lay a steely resolve to overcome his weaknesses. It was this same resolve that propelled him to study at high school in the United Kingdom, thousands of miles from his native land. Navigating life on his own in the UK forged Sarwono into an independent and resilient individual; one who never flinched in the face of challenges, but also one who never wanted to play the hero either. His unique character and integrity acted like a magnet for opportunities back home in Indonesia. He was chosen to be Chairman of the University Student Council of the Bandung Institute of Technology even though he did not campaign for it. And when he made it into the national parliament, it was at the behest of the military. He then became Secretary General of Golkar, the country’s ruling party, without having to pull any strings. In taking on all the opportunities that came his way, Sarwono remained true to himself, which later meant saying no to President Soeharto when the latter tried to recruit him to be part of his inner circle.
Buried Histories
In 1965–66, army-organized massacres claimed the lives of hundreds of thousands of supporters of the Communist Party of Indonesia. Very few of these atrocities have been studied in any detail, and answers to basic questions remain unclear. What was the relationship between the army and civilian militias? How could the perpetrators come to view unarmed individuals as dangerous enemies of the nation? Why did Communist Party supporters, who numbered in the millions, not resist? Drawing upon years of research and interviews with survivors, Buried Histories is an impressive contribution to the literature on genocide and mass atrocity, crucially addressing the topics of media, military organization, economic interests, and resistance.
Opera
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Mill & Factory
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The Fighting Art of Pencak Silat and its Music
Fighting arts have their own beauty, internal philosophy, and are connected to cultural worlds in meaningful and important ways. Combining approaches from ethnomusicology, ethnochoreology, performance theory and anthropology, the distinguishing feature of this book is that it highlights the centrality of the pluripotent art form of pencak silat among Southeast Asian arts and its importance to a network of traditional and modern performing arts in Southeast Asia and beyond. By doing so, important layers of local concepts on performing arts, ethics, society, spirituality, and personal life conduct are de-mystified. With a distinct change in the way we view Southeast Asia, this book provides a wealth of information about a complex of performing arts related to the so-called 'world of silat'. An ancillary media companion website (www.bits4culture.org/pencaksilatandmusic/) is part of this work. Login authorisation information is included in the book. Contributors include: Bussakorn Binson, Jean-Marc de Grave, Gisa Jähnichen, Margaret Kartomi, Zahara Kamal, Indija Mahjoeddin, Ako Mashino, Paul H. Mason, Uwe U. Paetzold, Kirstin Pauka, Henry Spiller and Sean Williams.
