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A Victorian Salon
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A Victorian Salon
Published to accompany exhibition held at the Dahesh Museum, New York, 19/1 - 17/4 1999 and travelling.
Beyond the Brotherhood
The term 'Pre-Raphaelite' is widely used but often little understood. This book untangles what Pre-Raphaelitism means. It includes the original Pre-Raphaelite Brothers, William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti, and their immediate followers, Edward Burne-Jones and Evelyn De Morgan. It also looks at the assimilation of Pre-Raphaelites ideals and subjects into the Royal Academy tradition and the resurgence of mural painting and tempera in the early twentieth century. Even in the 1970s, the Brotherhood of the Ruralists attempted to recapture its spirit. Today it lives on in fantasy art and film; Lord of the Rings and Game of Thrones.0Rather than seeing Pre-Raphaelitism as an historic style, this publication argues it is a living tradition. Exhibition: City Art Gallery, Southamtpton, UK (18.10.2019-01.02.2020) / Russell-Cotes Art Gallery & Museum, Bornemouth, UK (21.02.-21.06.2020).
The Art of a Salesman
Sir Merton Russell-Cotes (1835-1921) is best known for co-founding the art gallery and museum in Bournemouth that bears his name. He came to prominence as the owner of the Royal Bath Hotel, an establishment renowned for its illustrious guests, fine art and first-class service. Success brought him wealth and influence, but his brash approach to marketing led some to regard him as pushy and self-serving. A stint as mayor - the result of his outspoken calls for better amenities in the fast-growing resort - ended in chaos and recrimination. He rebuilt his reputation through philanthropy, in large part thanks to the support of his devoted wife, Annie. The Art of a Salesman, the first full-length biography of Russell-Cotes, uncovers the story of how this once controversial hotelier became one of the most important benefactors of his time.
Asian Art
This collection book presents 119 highlights from the Asian arts in the Rijksmuseum. Treasures from India, Southeast Asia, Korea, Japan and China are introduced in essays by expert curators. With a particular focus on export art, this beautiful book, superbly designed by Irma Boom, offers a magnificent overview of this exceptionally rich Asian art collection.
Terry Pratchett's Discworld Imaginarium
A stunning portfolio of Discworld illustrations from the brush of Paul Kidby, Sir Terry Pratchett's artist of choice. Paul Kidby, Sir Terry Pratchett's artist of choice, provided the illustrations for The Last Hero, designed the covers for the Discworld novels since 2002, and is the author of the bestselling The Art Of Discworld. Now, Paul Kidby has collected the very best of his Discworld illustrations in this definitive volume, including 40 pieces never before seen, 30 pieces that have only appeared in foreign editions, limited editions and BCA editions, and 17 book cover illustrations since 2004 that have never been seen without cover text. If Terry Pratchett's pen gave his characters life, Paul Kidby's brush allowed them to live it, and nowhere is that better illustrated than in this magnificent book. For fans old and new, this beautiful collectors item is the perfect gift for Christmas. 'The closest anyone's got to how I see the characters' - Sir Terry Pratchett
Welgora
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The Lost Words
The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need...
Arthur Jeffress
Arthur Jeffress was an art dealer and collector from a Virginian family who bequeathed his “subversive little collection” (Derek Hill) to Tate and Southampton City Art Gallery on his suicide in 1961. That suicide, a result of his expulsion from Venice, has been the subject of speculation in many memoirs. Gill Hedley's biography of Jeffress has benefited from access to many hundreds of unpublished letters written between Jeffress and Robert Melville, who ran Jeffress' own gallery from 1955-1961. The letters were written largely while Jeffress was in Venice and reveal a vivid picture of the London gallery world as well as frank details of artists, collectors and the definitive story of his suicide. Previously unpublished research reveals new information about the lives of Jeffress' lover John Deakin, his business partner Erica Brausen, the French photographer André Ostier and Henry Clifford, and the way in which all of them influenced Jeffress' first steps as a collector from the 1930s onwards.
