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The Long Afternoon
In the 1930s, Henry and Helen Williamson arrive on the French Riviera looking for a house. Barely thirty, Henry has been forced to retire from the Indian civil service through ill-health. They fall in love with the dreamlike Lou Paradou and set about constructing a life of ease, and a ravishing garden. But as the political conflict gathers, so the atmosphere of their new home becomes increasingly unquiet and a tragic fate befalls them. THE LONG AFTERNOON enchants and involves the reader, just as the Williamsons' garden seduces its visitors.
The Hound in the Left-Hand Corner
Auberon, the brilliant but troubled Director of the Museum of British History (known as BRIT) is preparing one Midsummer's Day for the opening of the most spectacular exhibition the Museum has ever staged. The centrepiece of the exhibition is Gainsborough's portrait of the beautiful but intriguing Lady St John; not shown in London for a hundred years, the painting shows its subject strikingly attired as Puck. As the day passes the portrait arouses in the minds of the museum staff disquieting questions, rivalries, and strangely deep affections. Tension mounts: will the gala dinner be a success? Can the Museum's Chairman be kept under control? And just what is it that's so peculiar about the portrait?
Below Stairs
Traditionally, British portraits have concentrated on the upper classes and the famous. This book explores the servant, be it in a grand or modest house, in the country or town, telling a fascinating story about power, class and human relationships spanning over 400 years of social and economic history.
The People's Galleries
This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and Nottingham were immensely popular and attracted enthusiastic audiences. The People's Galleries traces the rise of art museums in Britain through World War I, focusing on the phenomenon of municipal galleries. This richly illustrated book argues that these regional museums represented a new type of institution: an art gallery for a working-class audience, appropriate for the rapidly expanding cities and shaped by liberal ideals. As their broad appeal weakened with the new century, they adapted and became more conventional. Using a wide range of sources, the book studies the patrons and the publics, the collecting policies, the temporary exhibitions, and the architecture of these institutions, as well as the complex range of reasons for their foundation. Published for the Paul Mellon Centre for Studies in British Art
The Iron Necklace
The wedding of Thomas, an idealistic German architect, and Irene, an English artist, brings together the Curtius and Benson families. But their new lives are soon shattered by the outbreak of war in Europe. While Irene struggles to survive in a country where she is the enemy, her sister Sophia faces the war as a nurse on the Western Front. For their brother Mark, diplomatic service sees him moving between London, Washington and Copenhagen, all the while struggling to confront his own identity. Against a backdrop of war and its aftermath relationships are tested, sacrifices are made and Irene and her siblings strive to find their place in an evolving world.
Understanding Historic Building Conservation
This book is the first in a series of volumes that combine conservation philosophy in the built environment with knowledge of traditional materials, and structural and constructional conservation techniques and technology: • Understanding Historic Building Conservation • Materials & Skills in Historic Building Conservation • Structures & Construction in Historic Building Conservation The series aims to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge for architects, surveyors and engineers as well as for commissioning client bodies, managers and advisors. In each book, Michael Forsyth draws together chapters by leading architects, structural ...
The Hound in the Left-hand Corner
The author of THE LONG AFTERNOON turns his attention to serious folly and with cunning sleight of hand shows he has a talent to amuse and provoke in equal measure. Auberon, the brilliant but troubled Director of the Museum of British History is preparing one Midsummer's Day for the opening of the most spectacular exhibition the Museum has ever staged: ELEGANCE. The centrepiece of the exhibition is Gainsborough's portrait of the beautiful and intriguing Lady St John - not shown in London for a hundred years, the painting shows its subject strikingly attired as Puck. As the day passes the portrait arouses in the minds of the museum staff disquieting questions, rivalries and strangely deep affections. Tension mounts: will the gala dinner be a success? Can the museum's Chairman be kept under control? And just what is it that's so peculiar about the portrait?
A Victorian Salon
Published to accompany exhibition held at the Dahesh Museum, New York, 19/1 - 17/4 1999 and travelling.
Whose Muse?
During the economic boom of the 1990s, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers: on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. Whose Muse? brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur: As museums have become increasingly complex and...
