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The Complete Choral Warm-up Book
A complete sourcebook for choral directors of all levels, as well as choral methods classes. Contains 211 warm-ups with information on usage, photos illustrating correct posture and vowel formation, and a well organized index to make finding the right warm-up a snap. Belongs in every choral director's library.
Oriental Armour
Detailed, scholarly study, enhanced with over 400 illustrations, surveys defensive armor of Persia, Turkey, India, China, Ceylon, the Philippines, Korea, Tibet, and other regions. Splendid overview brings together much previously inaccessible material.
I Know Sousa, Not Sopranos!
Heres a sobering thought for many a band or orchestra director: youve been given the opportunity to work with a choir! Whether or not the decision was made by you or for you, moving from the realm of Sousa or Tchaikovsky to the land of sopranos can be a disconcerting prospect for even the most experienced (not to mention even-keeled) band or orchestra director. But fear nottrained instrumentalist turned choral director (and educator, clinician, composer, and arranger) Russ Robinson, has written "I Know Sousa, Not Sopranos!" to help you survive your foray into this strange land. Drawn from his very successful clinics on this subject, Dr. Robinsons goals with this guide are simpleto show those educators who have been trained in instrumental music that they already possess many of the musical skills necessary to teach choral music, and to present, in a straightforward and accessible manner, knowledge and awareness of key areas unique to directing a choir.
Songwriting Made Easy!
This is a great how-to book for all songwriters. Russ has carefully presented step-by-step directions and guidelines for putting creative musical ideas on paper. The material is presented in a workbook style, allowing the reader to compose as they read, creating a very practical approach to a complicated process. This book is perfect for classroom instruction, amateur use, or professionals who want to sharpen their skills. It's easy!
Banaha
Full of rhythmic fun and regional flavor, this quickly learned folk song from West Central Africa will brighten any concert set. Written in the form of a round, all three vocal parts are within an octave range. Performance and staging options, as well as suggestions for adding movement, are included, and an optional conga part is available for download.
Riddley Walker
‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.
Annual Reunion
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The Armour of Imperial Rome
The purpose of this book is to provide in one volume a comprehensive study of Roman armour--a study which, until now, has been confined to short articles and papers dealing with a single object or a small group of pieces of similar type. -- Introduction.
Anxiety Rx
From physician and neuroscientist Russell Kennedy, MD comes an award-winning book that offers a revolutionary, life-changing approach to healing anxiety. Break the cycle of anxiety with the newly upgraded and expanded second edition. After years of trying different therapies for his debilitating anxiety without success, Dr. Russell Kennedy had an epiphany: anxiety does not start in the brain. Anxiety starts in the body, where trauma is stored and physical and emotional perception begin. Alarm bells originating in the body are what trigger those anxious thoughts that we call anxiety, and Russ realized that true healing starts only when we learn not to conflate the two. He understood that exis...
