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Across North America, hundreds of reconstructed Oliving historyO sites, which traditionally presented history from a primarily European perspective, have hired Native staff in an attempt to communicate a broader view of the past. Playing Ourselves explores this major shift in representation, using detailed observations of five historic sites in the U.S. and Canada to both discuss the theoretical aspects of Native cultural performance and advise interpreters and their managers on how to more effectively present an inclusive history. Drawing on anthropology, history, cultural performance, cross-cultural encounters, material culture theory, and public history, author Laura Peers examines Oliving historyO sites as locations of cultural performance where core beliefs about society, cross-cultural relationships, and history are performed. In the process, she emphasizes how choices made in the communication of history can both challenge these core beliefs about the past and improve cross-cultural relations in the present.
The Fictional World of Javier Marías offers a fresh perspective on the narrative universe of one of Spain’s most distinguished contemporary authors. In order to establish the origin and meaning of uncertainty in his fiction, this book presents interpretations of a range of issues inherent to Marías’s canon, in particular those related to the nature of language. With the relationship between language and uncertainty at its heart, this study considers the use of foreign languages, translation, and the effect of silence through an analysis of: Todas las almas (1989), Corazón tan blanco (1992), Mañana en la batalla piensa en mí (1994) and Tu rostro mañana (2002-2007).
From Agatha Christie to Ruth Rendell is the first book to consider seriously the hugely popular and influential works of Agatha Christie, Dorothy L.Sayers, Margery Allingham, Ngaio Marsh, P.D. James and Ruth Rendell/Barbara Vine. Providing studies of forty-two key novels, this volume introduces these authors for students and the general reader in the context of their lives, and of critical debates on gender, colonialism, psychoanalysis, the Gothic, and feminism. It includes interviews with P.D. James and Ruth Rendell/Barbara Vine.
It is by now an obvious observation that much of the world depends on information technology. Our infrastructure relies on IT: our buildings, finance systems, roads, airplanes, cars, televisions, washing machines and bread makers; as does much of what we do: our banking, learning and communicating. Almost everyone today uses information technology, but few know how it works, and very few indeed understand the mysteries of how to build new systems. This imbalance between ‘users’ and ‘knowers’ grows worse every year. With the ‘dot com collapse’, the number of students studying computers, and information technology more generally, has been shrinking steadily. In the long run, this t...
In the ten years immediately following the Second World War, some 170 000 immigrants from Europe and Britain arrived in Australia. First published in 1988, this unique book recreates the experiences of those who fled a ravaged Europe to seek a new life in far-distant Australia. Their stories are told in the words of the people themselves, supplemented with photographs, documents, press reports and memorabilia. These stories of over 100 Australians, New and Old, stories sometimes humorous and often very moving, provide a fascinating insight into a significant moment in Australian history. As the first definitive examination of life in the migrant camps, it documents a part of Australian history in danger of vanishing without trace. Never before has there been such a collection of intensely personal accounts of what it was like to pass through the immigration centres and workers' hostels on the way to building new lives - and to shaping present-day Australia.
This book is part of the publisher’s Literature Caravan Edition. A group of writers and poets traveling together on an expedition to a certain topic. The Island of Rhodes was the caravanserai of a journey initiated by the Hamburg Writers Association (HAV) and the Three Seas Writers’ and Translators’ Council (TSWTC). The literary travel subject was The Strange in Us. The fruits of this journey with its one-week workshop in September 2016 is published in this multilingual book of poems, essays, and stories by twelve writers from six countries: Ananya Azad from Bangladesh, Dalia Staponkutė from Lithuania, Emina Čabaravdić-Kamber from Bosnia-Herzegovina, Gino Leineweber, Uwe Friesel, and Wolf-Ulrich Cropp from Germany, Gonca Özmen and Mesut Senol from Turkey, Lily Exarchopoulou and Yiorgos Chouliaras from Greece, and from Rhodes/Greece: Spyros Syropoulos and Suleiman Alayali-Tsialik. The HAV is a literary association in Hamburg, Germany that was founded in 1977. TSWTC is an international entity that, under the auspices of UNESCO, was established in 1996 together with the International Writers’ and Translators’ Center in Rhodes/Greece.
Javier Marías is a major contemporary Spanish novelist who has enjoyed remarkable international success and recognition. He is a writer who has undergone a singular and clearly discernible novelistic evolution and has forged a very distinctive style of his own. It is this formal development that this book traces through a study of his works from Los dominios del lobo (1971) to Negra espalda del tiempo (1998). With the help of a wide range of 20th-century literary theories and criticism, it strives to show that in order to escape realism and Spanishness and to make his way into literature, Marías forges an intricate style which progressively develops and matures, and which creates highly suggestive and elaborate imaginative worlds, a literature with a particular ontology, ultimately capable of inventing reality. This book is the first full-length study of Javier Marías's work to be published so far and serves both as an introduction to, and a close examination of, the work of a major European writer.
A complete reference guide to modern Turkish grammar, this work presents a full and accessible description of the language, concentrating on the real patterns of use.
This book explores the conceptualization of time in early twentieth-century literature and thought, based on a transnational and translational model of literary history, focusing on Turkish, French and German literary traditions. Each from different cultural backgrounds, these modernists provide a radical critique of modern time regimes, which calibrate time in singular temporal narratives. The book traces the philosophical strand of this critical chronometry from Henri Bergson’s theory of time, through Walter Benjamin’s ambivalence towards decay of tradition, and finally to A.H. Tanpınar and Robert Walser’s modernist fiction. Negotiating regionally marked concepts and topoi of temporality, it discusses networks of cultural circulations and maps a revised intersection of Turkish and Western European literary histories. It is an essential read for scholars and students of comparative and world literature, modernist studies, and cultural history.