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The Medieval Latin Hymn
The first mention of Christian Latin hymns by a known author occurs in the writings of St. Jerome who states that Hilary, Bishop of Poitiers (c. 310-366), a noted author of commentaries and theological works, wrote a Liber Hymnorum. This collection has never been recovered in its entirety. Hilary’s priority as a hymn writer is attested by Isidore of Seville (d. 636) who says: Hilary, however, Bishop of Poitiers in Gaul, a man of unusual eloquence, was the first prominent hymn writer. More important than his prior claim is the motive which actuated him, the defense of the Trinitarian doctrine, to which he was aroused by his controversy with the Arians. A period of four years as an exile in ...
Praise, My Soul
Author Nancy Roth says, "Exploring the church's rich tradition of hymnody has been an important part of my life over the last few years. I have found myself drawn in an extraordinary way into the stories of the poets, saints, martyrs, and quite ordinary people who wrote our hymn texts. The words of a hymn draw me into God's presence, creating a quiet space for reflection and contemplation. Often I find that the texts voice my own prayer, like an alternative prayer book." Praise My Soul contains selections from Roth's previous three books of hymn meditations in a special, large-print format to make these meditations more easily accessible to all readers. Nancy Roth's love and enthusiasm for the history and poetry of hymns gives the reader a richer and more complex understanding of even the most familiar hymns, transforming the experience of song into an experience of prayer.
Full of Your Glory
2020 Catholic Press Association honorable mention award for faith and science This collection of essays explores the rich and diverse intersections between the world of liturgy and the worlds of creation and the cosmos. The intersections highlighted here include biblical, historical, visual, and musical materials as well as contemporary theological and pastoral challenges for worship today. The essays gathered in this volume were first presented at the 2018 Yale Institute of Sacred Music Liturgy Conference and are here made available to a wider audience. These essays are responses to the unprecedented attention to ecological and cosmological concerns, which call for sustained engagement by scholars and practitioners of liturgy.
Hymns and the Christian Myth
From its beginnings in the Bible, Christian hymnology has fulfilled three functions -- praise, recital and teaching of the Myth, and collective and personal adoration as well as the foundation and worship of the church. In Hymns and the Christian Myth, Lionel Adey demonstrates that over the centuries shifts emphasizing particular elements of the Christian faith accord with the interests and concerns of the times in which the hymns were composed.
The Footsteps of Israel
Illuminates the previously unrecognized role of Jews and Judaism in early English writing and society
Music in the Middle Ages and the Renaissance
This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.
The Arma Christi in Medieval and Early Modern Material Culture
The Arma Christi, the cluster of objects associated with Christ’s Passion, was one of the most familiar iconographic devices of European medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architectural ornament. This collection displays the fascinating range of intellectual possibilities generated by representations of these medieval ’objects,’ and through the interdisciplinary collaboration of its contributors produces a fresh view of the multiple intersection...
Enchantment and Creed in the Hymns of Ambrose of Milan
Enchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summary presentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially his catechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading of Ambrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as "enchanting," that is, enlightening the "eyes of faith."
