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More than 300 patterns of American pressed glass are documented, described, and illustrated in this comprehensive reference guide for collectors. In this informative and fully illustrated guide, Bob H. Batty—a noted collector of pressed glass—covers more than three hundred glass patterns. Two hundred of which are identified and illustrated for the first time for the first time. Artist John Hendricks’ drawings depict the design and character of the various patterns and in many cases highlight special design and detail of notable patterns. All of the works shown are from Batty’s personal collection, which numbers more than 2,700 pieces representing some 1,900 patterns. Batty, who has pursued his glass collecting with scholarly attention to historical accuracy and detail, has named many of the previously uncatalogued patterns after cities and landmarks throughout his native South. A number of foreign patterns are also included, with precise measurements given for every piece depicted.
This book investigates the function of topographical names and descriptions in a variety of narratives, poems, and philosophical or theoretical texts, primarily from the 19th and 20th centuries, but including also Plato and the Bible. Topics include the initiating efficacy of speech acts, ethical responsibility, political or legislative power, the translation of theory from one topographical location to another, the way topographical delineations can function as parable or allegory, and the relation of personification to landscape.
Contents Include St. Valentine; American Handmade Valentines, 1740-1840; American Lithographed Valentines, 1840-1860; Esther Howland's Valentines; George C. Whitney And Company; Comic Valentines; Late Victorian Valentines; English Valentine History; Joseph Mansell; English Valentine Publishers; English Valentines Unmarked; Kate Greenaway And Walter Crane.
This wide-ranging and innovative collection of essays addresses important issues in cultural studies and the history of the book. Multidisciplinary in approach, the essays consider different aspects of the production, circulation, and consumption of printed texts throughout the nineteenth century. Topics studied include market trends, modes of publication, the use of pseudonyms by women writers, readerships and reading ideologies, and copyright law; and the book examines a wide range of printed materials, from valentines, advertisements, illustrations, and fashionable annuals, to the more traditional literary genres of poetry, fiction and periodical essays. The authors under discussion include Dickens, the Brontës, George Eliot, Meredith, and Walter Pater. Contributors draw on speech-act, reader-response, and gender theory in addition to various historical, narratological, materialist, and bibliographical perspectives.
The Pittsburgh region, while well known for steelmaking, was likewise an important glass manufacturing center in this country's history. This book provides detailed accounts of the region's glassmakers from the first factory dating to 1795 through 1910. Glassmaking started out modestly with small glasshouses in Pittsburgh and up the Monongahela River in New Geneva during the final few years of the 18th century. By the close of the 19th century, the Pittsburgh region was producing more than half of all domestic window glass and the lion's share of most other forms of glass in the United States. The original purpose of this manuscript was to assemble and record as accurately as possible the hi...