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The Book of Iran
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Intellectual dynamics in the Middle East and North Africa
More than three years after the beginning of the wave of Arab uprisings, an understanding of the role of intellectuals in political change across the region has never been more important. This timely volume on Intellectuals in the Modern Middle East combines geographical and chronological breadth and draws on a diverse range of approaches including intellectual history, political science, art history, social policy and political philosophy. Together, the chapters provide a window into the diversity in intellectual trends across the Middle East from the early decades of the 20th century until the present day. While they do not, and cannot, provide a complete, or even representative, picture of intellectual dynamics in the modern Middle East, they collectively address a range of analytical and normative issues that bear on the role of the intellectual in contemporary Middle Eastern politics and society. This book was published as a special issue of the British Journal of Middle Eastern Studies.
Iranian Contemporary Art
Published to accompany the exhibition at the Curve Gallery, Barbican Centre, London, 12 April - 3 June 2001.
طاووس
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Index Islamicus
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A Social History of Iranian Cinema, Volume 4
In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.
A Two-Colored Brocade
Two-Colored Brocade: The Imagery of Persian Poetry
The Ocean of the Soul
The Ocean of the Soul is one of the great works of the German Orientalist Hellmut Ritter (1892-1971). It presents a comprehensive analysis of the writings of the mystical Persian poet Far?d al-D?n ‘At?t??r. The book was first published in 1955.
ʿAli Qoli Jebādār et l'Occidentalisme Safavide
In ʿAli Qoli Jebādār et l’Occidentalism safavide Negar Habibi provides a fresh account of the life and works of ʿAli Qoli Jebādār, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of ʿAli Qoli Jebādār's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sāzi, while suggesting the use of...
