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Religious and ethnic violence between Indonesia's Muslims and Christians escalated dramatically just before and after President Suharto resigned in 1998. In this first major ethnographic study of Christianization in Indonesia, Aragon delineates colonial and postcolonial circumstances contributing to the dynamics of these contemporary conflicts. Aragon's ethnography of Indonesian Christian minorities in Sulawesi combines a political economy of colonial missionization with a microanalysis of shifting religious ideology and practice. Fields of the Lord challenges much comparative religion scholarship by contending that religions, like contemporary cultural groups, be located in their spheres of...
Local renderings of the two Indian epics Ramayana and Mahabharata in Malay and Javanese literature have existed since around the ninth and tenth centuries. In the following centuries new versions were created alongside the old ones, and these opened up interesting new directions. They questioned the views of previous versions and laid different accents, in a continuous process of modernization and adaptation, successfully satisfying the curiosity of their audiences for more than a thousand years. Much of this history is still unclear. For a long time, scholarly research made little progress, due to its preoccupation with problems of origin. The present volume, going beyond identifying sources, analyses the socio-literary contexts and ideological foundations of seemingly similar contents and concepts in different periods; it examines the literary functions of borrowing and intertextual referencing, and calls upon the visual arts to illustrate the independent character of the epic tradition in Southeast Asia.
Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community’s diverse performance practices are brought together as a family of genres. Combining fieldwork with evidence from Indonesian, Chinese, and Dutch primary and secondary sources, Josh Stenberg takes a close look at Chinese Indonesian self-representation, covering genres from the Dutch colonial period to the present day. From glove puppets of Chinese origin in East Java and Hakka religious processions in West Kalimantan, to wartime political theatre on Sumatra and contemporary Sino-Sun...
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“Perjalanan negara ini tidak bisa ditepaskan dari kiprah Freemasonry dan Theosofie sejak dulu sampai detik ini. Batavia, dan kemudian Jakarta, pun dibangun oleh persaudaraan Kabbalah tersebut. Buku ini akan mengungkapkan data dan fakta yang tak terbantahkan mengenai hal tersebut. Karena keberaniannya, saya takut, suatu saat pemerintah akan melarang buku ini…” —Rizki Ridyasmara, penulis novel The Jacatra Secret :Misteri Satanic Symbols di Jakarta “Jika ada yang mengatakan tak ada kebenaran yang absolut, maka sejatinya mereka mengulang pemikiran para sophis pada masa Lalu, yang menjajakan pemikirannya berdasarkan pesanan dan mempunyai integritas yang cacat.Pemikiran para sophis yang ...
Kerinduan terhadap drama gong sebagai salah satu jenis seni pertunjukan Bali yang sempat menjadi primadona di seluruh pelosok Pulau Dewata ini mulai terobati dengan munculnya inovasi-inovasi yang dilakukan oleh beberapa seniman. Drama Gong yang saat ini jarang disaksikan dalam ritus keagamaan hingga acara seremonial formal dapat disaksikan dengan metode yang berbeda. Masuknya pengaruh digitalisasi juga merambah pada drama berbahasa Bali yang sarat akan pesan dan nilai moral ini. Buku ini hadir untuk menyebarluaskan perihal bentuk Drama Gong pada Era Digital serta apa saja inovasi yang dilakukan. Nantinya diharapkan mampu menjadi stimulus bagi seniman-seniman khususnya seniman Drama Gong dalam berkarya.