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The role of art in Marcuse’s work has often been neglected, misinterpreted or underplayed. His critics accused him of a religion of art and aesthetics that leads to an escape from politics and society. Yet, as this volume demonstrates, Marcuse analyzes culture and art in the context of how it produces forces of domination and resistance in society, and his writings on culture and art generate the possibility of liberation and radical social transformation. The material in this volume is a rich collection of many of Marcuse’s published and unpublished writings, interviews and talks, including ‘Lyric Poetry after Auschwitz’, reflections on Proust, and Letters on Surrealism; a poem by S...
This outstanding volume assembles some of Marcuse’s most important work and presents for the first time his unique syntheses of philosophy, psychoanalysis, and critical social theory. It includes a comprehensive introduction by Douglas Kellner, Tyson Lewis and Clayton Pierce, which places Marcuse’s philosophy in the context of his engagement with the main currents of twentieth century philosophy.
This book provides a critical overview of the entirety of Marcuse s work and discusses his enduring importance. Kellner had extensive interviews with Marcuse and provides hitherto unknown information about his road to Marxism, his relations with Heidegger and Existentialism, his involvement with the Frankfurt School, and his reasons for appropriating Freud in the 1950s. In addition Kellner provides a novel interpretation of the genesis and structure of Marcuse s theory of one-dimensional society, of the development of his political theory, and of the role of aesthetics in his critical theory."
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