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Der Maler Robin Christian Andersen (1890-1969)
Erstmals werden in der vorliegenden Arbeit Leben und Werk des 1890 in Wien geborenen und 1969 ebenda verstorbenen Malers Robin Christian Andersen beleuchtet. Dessen Vater war aus Dänemark nach Wien übersiedelt, und auch Robin Christian Andersen hatte zeitlebens die dänische Staatsbürgerschaft beibehalten. Andersen zählte zu den namhaften Künstlerpersönlichkeiten im Österreich der ersten Hälfte des 20. Jahrhunderts, er war Mitglied wichtiger Künstlervereinigungen wie der Neukunstgruppe, des Bundes österreichischer Künstler und der Wiener Secession. Seit 1919 unterhielt Andersen eine private Malschule. 1945 wurde er an die Akademie der bildenden Künste in Wien berufen, wo er bis 1...
The Memory Factory
The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. Ho...
Touch Nature
"Touch Nature: Art in the Age of the Climate Crisis" extends the dialogue initiated by the group exhibition "Touch Nature," held at the Austrian Cultural Forum in 2023/24. It captures a dynamic conversation exploring the profound impact of human activity on the environment and climate. Artists delve into pressing issues like global food systems, epidemics, and the legacy of colonialism, with many drawing inspiration from nature's restorative qualities and its role in various mythologies. Artists featured: Uli Aigner, Edward Burtynsky, Petah Coyne, Mark Dion, Ines Doujak, Titanilla Eisenhart, Michael Endlicher, TIME GATES, Peter Hauenschild, Barbara Anna Husar, Kevin King, Kitty Kino, Christiane Löhr, Yvonne Oswald, Monika Pichler, Klaus Pichler (in collaboration with Maren Jeleff and Martin Kirchmair), Margot Pilz, PRINZpod, Luisa Rabbia, Oliver Ressler, Ursula von Rydingsvard, Gregor Sailer, Marielis Seyler, Elisabeth von Samsonow, Martin Schrampf, Rebecca Smith, Betsy Weis, Nives Widauer, Laurent Ziegler and Balint Zsako.
Design Dialogue: Jews, Culture and Viennesse Modernism
The Design Dialogue anthology is a remarkable exploration of the decisive role of Jewish patrons, professionals, architects, designers and authors in shaping modern Viennese architecture, design, and material culture. Leading cultural historians, museum curators, art historians, and architects present cutting edge research examining how famous and less known protagonists created new cultural languages, identifications and networks, engaged in social debates, and contributed to the cultural renewal of Vienna, a major capital in Central Europe, between 1800 and 1938.
Worlding Love, Gender, and Care
Shigeko Kubota’s pioneering video Sexual Healing (1998) presents an ambivalent take on her disabled husband Nam June Paik in physical therapy. Accompanied by Marvin Gaye’s titular pop song, it considers love, sex, and care in old age within the much-debated field of Fluxus collaborations, and its ideal of working together as equals when fusing life and art. Worlding Love, Gender, and Care delves into the four decades of Kubota and Paik’s time together, reflects on feminist worlding, and investigates the vital contribution of female Fluxus artists to art history.
Music and Exile
Fresh research on the experiences of music and musicians in exile from Nazi Europe, exploring refugee experiences in Europe, the USA, Australia and Shanghai, the role of institutions, and the reception of individual creative work during and after the Second World War.
Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848–1918
Women, Nationalism, and Social Networks in the Habsburg Monarchy, 1848–1918 focuses on the lives of women in Southeastern Europe during the nineteenth and twentieth centuries, exploring the intersection of gender and nationalism. By looking at a wide range of sources and employing rich historiography, this collection investigates the currents of women’s emancipatory efforts in a climate of conflicting assumptions relating to nationhood and nationalization. This book sheds light on a time when both women and nations were working to assert themselves, and how women promoted the national cause in an attempt to assume stronger roles in the public sphere. The volume studies areas that were na...
Mid-Century Modern – Visionary Furniture Design from Vienna
In 1938, Vienna lost its best and most creative minds. This rupture was manifested in all of the arts and sciences and its mark is felt to this day – not least in the field of furniture design. With inexhaustible creativity the Jewish furniture designers who were forced to flee Vienna continued to work while in exile. They taught at the best universities and spread their ideas and vision throughout the entire world. Their creations became classics of twentieth-century furniture design, the epitome of mid-century modern style. This book honors the memory of the exiled designers with a thorough overview of their work. It details their life stories and their visionary designs, which remain as relevant and contemporary as ever, and brings to light new aspects of the history of Viennese furniture design.
Jewish Frontiers
In a series of interlinked essays, Sander Gilman reimagines Jewish identity as that of people living on a frontier rather than in a diaspora.
Erasures and Eradications in Modern Viennese Art, Architecture and Design
Erasures and Eradications in Modern Viennese Art, Architecture and Design challenges the received narrative on the artists, exhibitions, and interpretations of Viennese Modernism. The book centers on three main erasures—the erasure of Jewish artists and critics; erasures relating to gender and sexual identification; and erasures of other marginalized figures and movements. Restoring missing elements to the story of the visual arts in early twentieth-century Vienna, authors investigate issues of gender, race, ethnic and sexual identity, and political affiliation. Both well-studied artists and organizations—such as the Secession and the Austrian Werkbund, and iconic figures such as Klimt a...
