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Puisi dan Kota. Di hari ini. Panas dan wabah. Ada apa? Apakah puisi bisa digunakan sebagai cara melihat politik warga negara berdasarkan institusi kota? Kota selalu memunculkan pertanyaan: “bagaimanakah caranya seseorang merasa sebagai warga kota, atau setiap warga kota cenderung terasing di kotanya sendiri dan tidak merasa ikut bertanggung jawab dengan apa yang terjadi di sekitarnya? Melacak Jakarta melalui puisi memiliki banyak kemungkinan untuk menatap internalisasi kode-kode budaya kota. Walau puisi juga tidak bebas dari bentukkan sejarahnya sendiri yang memungkinkan penyair tidak terlalu kritis dalam kerja kuratorial atas nilai-nilai streotip maupun pembekuan identitas yang diterimany...
On God and Other Unfinished Things is a poetry collection and also “scraps of thought” from Goenawan Mohamad. A word “scraps” is apt for the task at hand because this is hardly a full script. Each of its parts was written with something close to brevity a cut or a remnant of sorts of a larger piece, or notes taken while traveling. All 99 of these “scraps” can be read sometimes as parts that support or refute one another, and at other times as pieces that stand on their own. All were written in times when God seemed to be irrefutable and Religion & Spirituality gained ever more currency in the lives of many: dispensing strength and illuminating the path ahead, but times which were at the same time threatening.
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Fourteen of some of Hemingway’s finest short stories that examine life’s different stages through Hemingway’s unique perspective. Ernest Hemingway's Winner Take Nothing contains fourteen stories of varying length. Some of them have appeared in magazines but the majority have not been published before. The characters and backgrounds are widely varied. Some stories included are “A Clean, Well-Lighted Place,” a story about one man’s night in a café; “Homage to Switzerland” concerns various conversations at a Swiss railway-station restaurant; “The Gambler, the Nun, and the Radio” is laid in the accident ward of a hospital in Western United States; and so on. Ernest Hemingway made his literary start as a short-story writer. He has always excelled in that medium, and this volume reveals him at his best.
When Gurov sees the lady with the little dog on a windswept promenade, he knows he must have her. But she is different from his other flings – he cannot forget her ... Chekhov’s stories are of lost love, love at the wrong time and love that can never be. United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love’s endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love, not to mention lost love, twisted and obsessional love...
Provides a detailed, narrative-based history of classical Malay Literature. It covers a wide range of Malay texts, including folk literature; the influence of the Indian epics and shadow theatre literature; Panji tales; the transition from Hindu to Muslim literary models; Muslim literature; framed tales; theological literature; historical literature; legal codes; and the dominant forms of poetry, the pantun and syair.
A New York Times Notable Book: “A ravishingly seductive novel . . . set in contemporary Kathmandu” (Elle). Ramchandra is a math teacher earning a low wage and living in a small apartment with his wife and two children. Moonlighting as a tutor, he engages in an illicit affair with one of his tutees, Malati, a beautiful, impoverished teenager, who is also a new mother. She provides for him what his wife, who comes from a privileged background, does not: desire, mystery, and a simpler life. Just as this Nepalese city struggles with the conflicts of change, Ramchandra must also learn to accommodate both tradition and his very modern desires, in this “gripping” novel by the Whiting Award...
From the bestselling author of "The God of Small Things" comes a scathing and passionate indictment of big government's disregard for the individual. In her Booker Prize-winning novel, "The God of Small Things," Arundhati Roy turned a compassionate but unrelenting eye on one family in India. Now she lavishes the same acrobatic language and fierce humanity on the future of her beloved country. In this spirited polemic, Roy dares to take on two of the great illusions of India's progress: the massive dam projects that were supposed to haul this sprawling subcontinent into the modern age--but which instead have displaced untold millions--and the detonation of India's first nuclear bomb, with all its attendant Faustian bargains. Merging her inimitable voice with a great moral outrage and imaginative sweep, Roy peels away the mask of democracy and prosperity to show the true costs hidden beneath. For those who have been mesmerized by her vision of India, here is a sketch, traced in fire, of its topsy-turvy society, where the lives of the many are sacrificed for the comforts of the few.
Six short stories drawn from history record black Americans' struggle for freedom during the days of slavery, chronicling the lives of a blues singer, a cowboy, two lovers forced apart when the girl is sold, and a traveler on the Underground Railroad.
A woman disappears without trace. Nobody, including the police commissioner investigating the case, can understand how a woman could simply walk away, leaving husband and home behind. After all, in the Kingdom of Oil where His Majesty reigns supreme, no woman has ever dared disobey the command of men. When the woman finally reappears, there is a blurring between the men in her life, as she leaves one to join another, then returns to her first husband who has since taken a new wife. She is trapped in a man-made web, unable to escape from a male figure who continually fills urns that she must carry.