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Re/Imagining Depression
  • Language: en
  • Pages: 233

Re/Imagining Depression

What is depression? An “imagined sun, bright and black at the same time?” A “noonday demon?” In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and innovative representations of a range of experiences that might get called “depression.” Texts such as Julia Kristeva’s Black Sun: Depression and Melancholia (1989), Andrew Solomon’s The Noonday Demon (2000), Allie Brosh’s cartoons, “Adventures in Depression” (2011) and “Depression Part Two” (2013...

Unfinished Course
  • Language: en
  • Pages: 276

Unfinished Course

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The Montreal Forties
  • Language: en
  • Pages: 404

The Montreal Forties

During WWII, a number of Canadian poets converged on Montreal and rewrote the story of modern English-Canadian poetry. The book discusses the four major English-Canadian poets to emerge in the 40s; PK Page, AM Klein, Irving Layton and Louis Dudek.

Understanding the Black Mountain Poets
  • Language: en
  • Pages: 232

Understanding the Black Mountain Poets

An experimental school of poetry & its leading proponents.

Finding Nothing
  • Language: en
  • Pages: 393

Finding Nothing

Experimental literature accelerated dramatically in Vancouver in the 1960s as the influence of New American poetics merged with the ideas of Marshall McLuhan. Vancouver poets and artists began thinking about their creative works with new clarity and set about testing and redefining the boundaries of literature. As new gardes in Vancouver explored the limits of text and language, some writers began incorporating collage and concrete poetics into their work while others delved deeper into unsettling, revolutionary, and Surrealist imagery. There was a presumption across the avant-garde communities that radical openness could provoke widespread socio-political change. In other words, the interme...

Merchant Vessels of the United States
  • Language: en
  • Pages: 1204

Merchant Vessels of the United States

  • Type: Book
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  • Published: 1962
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  • Publisher: Unknown

None

The Influence of Imagination
  • Language: en
  • Pages: 237

The Influence of Imagination

  • Type: Book
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  • Published: 2008-01-23
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  • Publisher: McFarland

This collection of essays examines the potential connections between speculative fiction and actual social change. Through a variety of approaches, the contributors explore whether consumers of science fiction and fantasy narratives can experience a real shift in their worldviews as a result of that consumption. Topics include the utopian vision of California in Ursula K. LeGuin's Always Coming Home, the changing role of women in science fiction pulp magazines, and the representation of progress and social change in popular graphic novels.

Essays on Canadian Writing
  • Language: en
  • Pages: 196

Essays on Canadian Writing

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

None

Poetics and Precarity
  • Language: en
  • Pages: 250

Poetics and Precarity

At a time when wars, acts of terrorism, and ecological degradation have intensified and isolationism, misogyny, and ethnic divisiveness have been given distinctively more powerful voice in public discourse, language itself often seems to have failed. The poets and critics in this book argue that language has the potential to address this increasing level of discord and precarity, and they negotiate ways to understand poetics, or the role of the poetic, in relation to language, the body politic, the human body, breath, the bodies of the natural environment, and the body of form. Poetry makes urgent issues audible and poetics helps to theorize those issues into critical consciousness. Poetry a...

The Improved Binoculars
  • Language: en
  • Pages: 148

The Improved Binoculars

The 87 poems included in the first (1956) edition of The Improved Binoculars were selected from the eight volumes the poet published in the first ten years of his career. The publication of the book -- simultaneously by The Ryerson Press (Canada), Migrant Books (England), and Jonathan Williams ( US ) -- did much to establish Layton as a major talent on the international poetry scene and prompted Robert Creeley to note: `Irving Layton may well be for the historian of Literature ... the First Great Canadian Poet.' What a pleasure to rediscover `The Bull Calf', `The Cold Green Element', `The Birth of Tragedy' and `To the Girls of my Graduating Class' and discover these poems are as vital as the day they were written.