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Poetics and Precarity
At a time when wars, acts of terrorism, and ecological degradation have intensified and isolationism, misogyny, and ethnic divisiveness have been given distinctively more powerful voice in public discourse, language itself often seems to have failed. The poets and critics in this book argue that language has the potential to address this increasing level of discord and precarity, and they negotiate ways to understand poetics, or the role of the poetic, in relation to language, the body politic, the human body, breath, the bodies of the natural environment, and the body of form. Poetry makes urgent issues audible and poetics helps to theorize those issues into critical consciousness. Poetry a...
My Poetics
Acclaimed poet and critic Maureen N. McLane offers an experimental work of criticism ranging across Romantic and contemporary poetry. In My Poetics, Maureen N. McLane writes as a poet, critic, theorist, and scholar—but above all as an impassioned reader. Written in an innovative, conversable style, McLane’s essays illuminate her own poetics and suggest more generally all that poetics can encompass. Ranging widely from romantic-era odes and hymns to anonymous ballads to haikus and haibuns to modernist and contemporary poetries in English, My Poetics explores poems as speculative instruments and as ways of registering our very sense of being alive. McLane pursues a number of open questions...
The Selected Letters of Robert Creeley
"Robert Creeley is one of the most celebrated and influential of the postwar American poets. His Selected Letters, covering the years 1945-2005 are a foundational document in the recent history of North American letters. Through his engagements with mentors such as William Carlos Williams and Ezra Pound; peers such as Charles Olson, Robert Duncan, Denise Levertov, Allen Ginsberg, and Jack Kerouacl and mentees such as Charles Bernstein, Anselm Berrigan, Ed Dorn, Susan Howe, and Tom Raworth, Creeley helped forge a new poetry that re-imagined writing for his and subsequent generations. A stylist of the highest order, Creeley's letters carry the clear mark of consummate literary artistry and document the life, work, and times of one of our greatest writers"--
Breath and Precarity
Poetry. African & African American Studies. "If 'I can't breathe' seems to have become the awful refrain of the age, a repeated corroboration of expendability and helplessness, Mackey reminds us that black culture has long been imbued with a profound sense of the fragility of life. The 'radical pneumaticism' of black music--in which saxophonists such as Ben Webster and Sonny Rollins extravagantly foreground the mechanics of their breathing as they play, as though to 'insist upon and belabor' the indispensability of respiration--is not only an aesthetics but also a political commentary on social precarity. Compact and muted as it may be, how can Mackey's lecture be described as anything other than breathtaking, when it forces us to 'hover,' to pause, to wonder at the 'transient boon' of the next breath we're about to take?"--Brent Hayes Edwards
Soundings in Context
Soundings in Context brings together the second and third University at Buffalo Robert Creeley Lectures in Poetry and Poetics by the renowned literary and textual scholar Jerome McGann, and the innovative, prolific Canadian poet, essayist, and novelist Lisa Robertson, respectively. The volume's first half presents McGann's "Reading (I Mean Articulating) Poetry, a Multi-Player Game," with responses by Nikolaus Wasmoen and Steve McCaffery; the second presents Lisa Robertson's "Dous Chantar: Refrain for a Nightingale," with responses by Shannon Maguire and Liz Howard. Initially given at different moments and since revised, the pieces considered in the lectures range widely, moving from the Roma...
Robert Creeley's Life and Work
A critical retrospective of Creeley's work from 1952 to 1982
Imagining Persons
Robert Duncan’s nine lectures on Charles Olson, delivered intermittently from 1961 to 1983, explore the modernist literary background and influences of Olson’s influential 1950 essay “Projective Verse.” These transcribed talks pay tribute to Olson and expand our knowledge of Duncan’s vision of modernist writing.
Dear Angel of Death
"Half poems, half prose, 'Dear Angel of Death' braids intimate and public thinking about forms of togetherness. Is one woman a mother, a person in an artworld, a "black"? What imaginary and real spirits are her guides? The title essay proposes disinvestment in the idea of the Music as the highest form of what blackness "is" and includes many forms: philosophical divergence on the problem of folds for black life, a close reading of Nathaniel Mackey's neverending novel 'From a broken bottle traces of perfume still emanate', and an impassioned defense-cum-dismissal of contemporary hip hop's convergence with capitalism."
Of Being Dispersed
Poetry. African & African American Studies. 2017 Whiting Award Winner for Poetry. "I get this pinwheel relationship to wisdom & history when I read Simone White. I'm in her dream, but it's a remarkable solidly packed one informed by the quotidian rarity of for instance a prose disquisition on lotion and skin and haircare especially in winter. Like Dana Ward's, her work sends me searching. Like what part of speech is here. As I'm wondering Simone sometimes exits first, and I even feel that a real piece of her poem is adamantly not here and that is her privacy, her power & her skill so what kind of quest is it, this beautiful complex & alive work. Here's my best guess. OF BEING DISPERSED is an...
Form, Power, and Person in Robert Creeley’s Life and Work
By any measure—international reputation, influence upon fellow writers and later generations, number of books published, scholarly and critical attention—Robert Creeley (1926–2005) is a literary giant, an outstanding, irreplaceable poet. For many decades readers have remarked upon the almost harrowing emotional nakedness of Creeley’s writing. In the years since his death, it may be that the disappearance of the writer allows that nakedness to be observed more readily and without embarrassment. Written by the foremost critics of his poetry, Form, Power, and Person in Robert Creeley’s Life and Work is the first book to treat Creeley’s career as a whole. Masterfully edited by Stephe...
