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Explores the ways poets address the difficult question of how to remember, and commemorate, those killed in the First World War and beyond.
Longlisted for the Baillie Gifford Prize for Non-Fiction 2019 Longlisted for the Orwell Prize for Political Writing 2020 'Fascinating . . . If you have even the slightest interest in Orwell or in the development of our culture, you should not miss this engrossing, enlightening book.' John Carey, Sunday Times George Orwell's 1984 has become a defining narrative of the modern world. Its cultural influence can be observed in some of the most notable creations of the past seventy years, from Margaret Atwood's The Handmaid's Tale to the reality TV landmark Big Brother, while ideas such as 'thought police', 'doublethink', and 'Newspeak' are ingrained in our language. The Ministry of Truth charts t...
This musical release from soothing pianist Yanni captures a performance by the musician, recorded live at El Morro in Puerto Rico. Some of the songs featured in the concert include "The End of August", "The Rain Must Fall", "Ode to Humanity", and more. ~ Cammila Collar, Rovi
This collection of original essays focuses on new and continuing movements in British Poetry. It offers a wide ranging look at feminist, working class, and other poets of diverse cultural backgrounds.
This valuable resource both presents and demonstrates the numerous developments in feminist criticsm of the Bible and the enormous rage of influence that feminist criticism has come to have in biblical studies. The purpose of the book is to raise issues of method that are largely glossed over or merely implied in most non-feminist works on the Bible. The editors have included broadly theoretical essays on feminist methods and the various roles they may play in research and pedagogy, as well as non-feminist essays that have direct bearing on the methods or subject matter that feminists use, as well as reading that illustrate the variety of methodological strategies adopted by feminist scholars. Some 30 scholars, from North America and Europe, have contributed to this Companion.
Better Britons charts an innovative approach to the politics of reproduction by reading an array of works and discourses that reflect on the significance of reproductive behaviours for civic, national, and racial identities.
A collection of critical essays on Huxley, his satires, and fiction works with a chronology of events in the author's life.
A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.
This new, select edition of Wilfred Owen's letters provides a fresh understanding of the poet's life in his own words. Wilfred Owen's fame as one of the great war poets of the twentieth century is unsurpassed, with Dulce et Decorum est possibly the defining piece of World War literature. Owen's letters reveal the man behind the cultural icon; human with all his foibles, whose 25 years were marked by great highs and lows, by emerging modernity, and the violence of war. Evocative, lyrical, and often surprisingly funny, the letters act as both autobiography and companion to the famous war poems. He was both an accomplished poet and one of the finest letter-writers of the twentieth century. Accompanied by new notes and new introduction, as well as previously redacted and omitted material, the new edition of Owen's Selected Letters brings together past and contemporary scholarship to provide fresh insights into Owen's character and poetic development.
"In this study of the Lady Chatterley novels, Masami Nakabayashi pays particular attention to D.H. Lawrence's language for the feelings and for the life of the unselfconscious, sexual body. The novels constantly find ways of verbalising the characters' internalised experiences as they occur in states of unselfconsciousness. Lawrence's language for sensual feelings and emotions has always been regarded as simply 'sexual' and no previous critics have explored or made sense of the complexities of his peculiar, but extremely sophisticated, writing practice in the Lady Chatterley novels. Lawrence was a habitual reviser of his work, and, despite the availability of reliable texts in the Cambridge edition, few critics have traced the nature and significance of his changes from one draft to the next. By examining and analysing the novels' particular linguistic revisions, Masami Nakabayashi reveals the textual impulse behind Lawrence's original conception and its subsequent change and development"--Back cover.