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Sam Hyde Harris, 1889-1977
Sam Hyde Harris, an early California plein aire landscape painter, earned his living as an artist from 1903, at the age of 14, until he passed away in 1977. This book offers a glimpse of his sometimes outrageous personality and insight into his methods and styles. Over 400 images that demonstrate, without words, the progression and refinement of his subject and technique. By including the different stages of a work of art, pencil drawings, work-up sketches, maquettes, and the final product, the illustrations sometimes do what words can not accomplish.
Painters of Utah's Canyons and Deserts
Vividly illustrated and exhaustively researched and documented, Painters of Utah's Canyons and Deserts weaves a sweeping tapestry of artists' attempts to capture the majesty, rare beauty, and raw danger of Utah's frontier West. A COMPREHENSIVE HISTORY OF ARTISTS WHO PAINTED SOUTHERN UTAH, INCLUDING: Solomon Nunes Carvalho Frederick S. Dellenbaugh John Heber Stansfield William Keith Samuel Coleman Thomas Moran Minerva B. K. Teichert Maynard Dixon LeConte Stewart J. Roman Andrus Birger Sandzén Everett Ruess Georgia O'Keeffe Max Ernst Alfred Lambourne Henry L. A. Culmer Donald Beauregard
Arizona Visions-Paintings from the Picerne Collection
Exhibition Catalog for Arizona Visions- Paintings from the Picerne Collection of Arizona Landmark Art at the Phippen Museum in Prescott Arizona in 2011. Features paintings from over 40 different artists including Maynard Dixon, James Swinnerton, Jessie Benton Evans, Gunnar Widforss, Hanson Puthuff and Joseph Henry Sharp
California Impressionists
The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.
Shows of Force
It has long been considered a mark of naïveté to ask of a work of art: What does it say? But as Timothy W. Luke demonstrates in Shows of Force, artwork is capable of saying plenty, and much of the message resides in the way it is exhibited. By critically examining the exhibition of art in contemporary American museums, Luke identifies how art showings are elaborate works of theater that reveal underlying political, social, and economic agendas. The first section, "Envisioning a Past, Imagining the West," looks at art exhibitions devoted to artworks about or from the American West. Luke shows how these exhibitions--displaying nineteenth- and early-twentieth century works by artists such as ...
Canyon Magic
This book offers a visual experience of over forty artistic interpretations of the Grand Canyon, along with biographical information on the painters who found inspiration in the great "Chasm of the Colorado". Works by Edgar Payne, Joseph Henry Sharp, James Swinnerton, W.R. Leigh, Hanson Puthuff, Birger Sandzen and many more. Published as a catalog for the Kolb Studio Exhibition in the spring of 2010.
American Artists
"The purpose of this book is the identification of artists' signatures: some 4,500 American artists and, in addition, some 600 Canadian and Latin American artists. Necessary biographical information, such as nationality, birth and death dates, is given along with bibliographical references and auction records in the form of key letters which help direct the reader to further sources of information. With each artist, there is presented at least one signature facsimile; in many cases, multiple signatures totalling nearly 10,000 examples taken from oil paintings, watercolors, drawings, and prints covering as broad a range as possible in painting styles and periods from 1800 through 1989. For the easy identification of an artist who signs his or her work with a pseudonym, monogram, symbol or indecipherable signature, there are three separate sections in the back of the book."--Introduction.
