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In a case of corporate espionage, a Key West businessman hires Sam Mackenzie to retrieve technical information stolen from his company. He's told that confidence man Jack Craft recommended him. Sam has been burned by Jack before but this looks like easy money. The job turns out to be anything but easy, as a caper flush with government agents, assassins, and conspiracy ensues. Not to mention a beautiful CIA agent with questionable motives has her eye on Sam, and mob thugs are after him for fallout from a previous job. As the fireworks fly, Sam turns to his partner and a computer expert for help. The deeper they probe, the more they risk becoming collateral damage in a secret operation worth millions. There's no good way out of this one.
The exploits of the British Army's elite 22nd Special Air Service Regiment - the regiment of the SAS that forms part of the Regular army - are shrouded in mystery and myths abound about its members. But what is the truth behind the public facade of clinical professionalism? How has such a small regiment attracted so many weighty legends? And what is the purpose of the SAS in the 21st century? "Special Force" provides an original and unusually critical overview of the activities of the SAS from the Malayan Emergency of 1950 to the present day. In the context of a detailed and often controversial analysis of the post-war activities of the Regiment, MacKenzie establishes that the Regiment's alm...
During Alastair MacKenzie's 30 year military career, he has served with the New Zealand Army in Vietnam, the British Parachute Regiment, the British Special Air Service (SAS), the South African Defence Force's famed ParaBats, the Sultan of Oman's Special Forces and a host of private security agencies and defence contractors.
It could be said that the career of Canadian-born film director Allan Dwan (1885-1981) began at the dawn of the American motion picture industry. Originally a scriptwriter, Dwan became a director purely by accident. Even so, his creativity and problem-solving skills propelled him to the top of his profession. He achieved success with numerous silent film performers, most spectacularly with Douglas Fairbanks Sr. and Gloria Swanson, and later with such legendary stars as Shirley Temple and John Wayne. Though his star waned in the sound era, Dwan managed to survive through pluck and ingenuity. Considering himself better off without the fame he enjoyed during the silent era, he went on to do some of his best work for second-echelon studios (notably Republic Pictures' Sands of Iwo Jima) and such independent producers as Edward Small. Along the way, Dwan also found personal happiness in an unconventional manner. Rich in detail with two columns of text in each of its nearly 400 pages, and with more than 150 photographs, this book presents a thorough examination of Allan Dwan and separates myth from truth in his life and films.
This edited collection explores advancing understandings of child centred practice through the lens of childhood studies. Contributions from around the world offer a foundation to acknowledge and support the place that children’s voices must play in creating effective practice as we respond to seismic social change.
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