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Godspell
  • Language: en

Godspell

(Easy Piano Songbook). 11 vocal selections from this timeless musical, including: All Good Gifts * Bless the Lord * By My Side * Day by Day * Light of the World * Prepare Ye (The Way of the Lord) * Turn Back, O Man * and more.

Pheasant Plucker
  • Language: en
  • Pages: 52

Pheasant Plucker

  • Type: Book
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  • Published: 2016-09-21
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  • Publisher: Unknown

The story of a bird handler who throws down her gauntlet; a soaring tale of avian antics, wit and daring.

Catalogue of Copyright Entries
  • Language: en
  • Pages: 1114

Catalogue of Copyright Entries

  • Type: Book
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  • Published: 1921
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  • Publisher: Unknown

None

Fixing the Musical
  • Language: en
  • Pages: 233

Fixing the Musical

Thousands of shows have opened on Broadway. Why do we remember some and not others? The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of...

Grease (Songbook)
  • Language: en
  • Pages: 67

Grease (Songbook)

(Easy Piano Vocal Selections). 15 easy piano selections, including: Alone at the Drive-In Movie * Beauty School Dropout * Born to Hand Jive * Greased Lightnin' * Look at Me, I'm Sandra Dee * Summer Nights * We Go Together * and more.

Catalogue of Dramatic Pieces, the Fees for which Must be Paid to Samuel French
  • Language: en
  • Pages: 36

Catalogue of Dramatic Pieces, the Fees for which Must be Paid to Samuel French

  • Type: Book
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  • Published: 1887
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  • Publisher: Unknown

None

Sex on Stage
  • Language: en
  • Pages: 162

Sex on Stage

In the years just after World War II, theater provided an important critique of British society’s engagement with gender and sexual politics. Sex on Stage examines how British playwrights, actors, and directors brought women’s sexuality and gay and lesbian issues to the cutting edge of drama after World War II. Through a close reading of playwrights such as John Osborne, Harold Pinter, and Terence Rattigan, alongside accounts of their sociopolitical context and public reception, Andrew Wyllie reveals that this more progressive age was also one of reactionary statements and industry-wide anxiety.

Godber Plays: 2
  • Language: en
  • Pages: 304

Godber Plays: 2

  • Type: Book
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  • Published: 2013-11-01
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  • Publisher: A&C Black

"John Godber is one of the unsung heroes of British theatre, reaching the giddy heights of number three in the most-performed playwrights league table, nestled in behind Shakespeare and Ayckbourn" - Guardian Teechers: "In a class of its own ... Godber takes a hard-hitting look at life in a modern comprehensive where class conflicts, teacher tantrums and cavorting chaos runs riot through the corridors" The Express Happy Jack: "Godber manages with an affectionate and unerringly accurate ear for the tongues of the pit village to turn these two into a Chaucerian kind of celebration of life. At the end of the line the play is a sad, bruised but richly comic love story" Guardian September in the Rain: "The work of a genuinely talented playwright" Evening Standard Salt of the Earth: "John Godber has a special gift for capturing the lives and inner turmoil of the working class ... In the most subtle and incisive ways, he suggests how the combination of innate personality and a changing society determines individual destiny" Chicago Times

Tom Stoppard’s Plays
  • Language: en
  • Pages: 686

Tom Stoppard’s Plays

  • Type: Book
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  • Published: 2016-11-01
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  • Publisher: BRILL

In Tom Stoppard’s Plays: Patterns of Plenitude and Parsimony Nigel Purse assesses the complete canon of Tom Stoppard’s works on a thematic basis. He explains that, amongst the plenitude of chaotic comedy, wordplay and intellectual ping-pong of Stoppard’s plays, the principle of parsimony that is Occam’s razor lies at the heart of his works. He identifies key patterns in theme – ethics and duality - and method – Stoppard’s stage debates and his dramatic vehicles - as well as in theatrical devices. Quoting extensively from all Stoppard’s published works, many of his interviews and also unpublished material Nigel Purse arrives at a comprehensive and unique appraisal of Stoppard’s plays.