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A Kabuki Reader
Unique in any Western language, this is an invaluable resource for the study of one of the world's great theatrical forms. It includes essays by established experts on Kabuki as well as younger scholars now entering the field, and provides a comprehensive survey of the history of Kabuki; how it is written, produced, staged, and performed; and its place in world theater. Compiled by the editor of the influential Asian Theater Journal, the book covers four essential areas - history, performance, theaters, and plays - and includes a translation of one Kabuki play as an illustration of Kabuki techniques.
Theatre's Leiter Side, 2013-2014 Part I May-November
This two-volume book is the second in the Theatre's Leiter Side series anthologizing hundreds of reviews of New York theatre by Samuel L. Leiter originally posted on his Theatre's Leiter Side blog. After a long, prolific career during which he was recognized both as a world-renowned writer on Western theatre and traditional Japanese theatre, especially kabuki, Dr. Leiter began reviewing plays in his early 70s, following his having been named a Drama Desk Awards nominator, a position he held for two years. The present book collects his 300 reviews for the 2013-2014 New York season. This makes it the most extensive treatment of that season-which featured such hits as All the Way, Beautiful-The Carole King Show, Aladdin, and A Gentleman's Guide to Love & Murder-in any single source. Its coverage is so thorough it is being published in two chronologically organized volumes, the first for reviews from May to November 2013, the second for December 2013 to April 2014, when the awards season ended. Making the book even more significant are the hundreds of program covers it reprints, representing perhaps 90 percent of the Broadway and Off-Broadway shows described.
The Man Who Saved Kabuki
As part of its program to promote democracy in Japan after World War II, the American Occupation, headed by General Douglas MacArthur, undertook to enforce rigid censorship policies aimed at eliminating all traces of feudal thought in media and entertainment, including kabuki. Faubion Bowers (1917-1999), who served as personal aide and interpreter to MacArthur during the Occupation, was appalled by the censorship policies and anticipated the extinction of a great theatrical art. He used his position in the Occupation administration and his knowledge of Japanese theatre in his tireless campaign to save kabuki. Largely through Bowers's efforts, censorship of kabuki had for the most part been e...
Encyclopedia of Asian Theatre
Surveys traditional and contemporary Asian theatre through hundreds of alphabetically arranged entries written by more than 90 expert contributors.
Frozen Moments
A collection of fifteen essays written over nearly four decades by one of America's best-known scholars of Japan's kabuki theatre. Illustrated with numerous photographs, prints, and line drawings, it includes an overview of kabuki and its impact on world theatre, interviews with and biographical accounts of famous actors, discussions of kabuki acting and staging techniques, an examination of kabuki violence, accounts of English-language kabuki productions, studies of theatrical architecture, a survey of amateur kabuki in rural communities, and a comparison of kabuki with the eighteenth-century English theatre. Each essay has been revised, some considerably, and two previously unpublished essays have been provided.
Theatre's Leiter Side, 2013-2014 Part II December-April
This two-volume book is the second in the Theatre's Leiter Side series anthologizing hundreds of reviews of New York theatre by Samuel L. Leiter originally posted on his Theatre's Leiter Side blog. After a long, prolific career during which he was recognized both as a world-renowned writer on Western theatre and traditional Japanese theatre, especially kabuki, Dr. Leiter began reviewing plays in his early 70s, following his having been named a Drama Desk Awards nominator, a position he held for two years. The present book collects his 300 reviews for the 2013-2014 New York season. This makes it the most extensive treatment of that season-which featured such hits as All the Way, Beautiful-The Carole King Show, Aladdin, and A Gentleman's Guide to Love & Murder-in any single source. Its coverage is so thorough it is being published in two chronologically organized volumes, the first for reviews from May to November 2013, the second for December 2013 to April 2014, when the awards season ended. Making the book even more significant are the hundreds of program covers it reprints, representing perhaps 90 percent of the Broadway and Off-Broadway shows described.
From Belasco to Brook
This multifaceted study, the companion volume to Leiter's From Stanislavsky to Barrault: Representative Directors of the European Stage (Greenwood Press, 1991), provides exhaustively detailed, yet compact accounts of the careers and accomplishments of eight outstanding directors of the English-speaking stage as well as separate, thorough bibliographies and chronologies of each. Samuel L. Leiter selected directors David Belasco, Harley Granville-Barker, George Abbott, Sir Tyrone Guthrie, Margaret Webster, Elia Kazan, Joan Littlewood, and Peter Brook as exemplars of the broad spectrum of directorial art as it has developed in the twentieth century; his cogent introduction identifies salient as...
Theatre's Leiter Side, 2012-2013
This book is the first in a planned series anthologizing, year by year, the New York theatre reviews of Samuel L. Leiter. After a long, prolific career as an academic, he began reviewing in his early 70s, midway through the 2012-2013 theatre season, after he became a nominator for the Drama Desk Awards. This book not only collects his nearly 150 reviews for the latter half of that season, some very brief, some extended, but provides a personal memoir of how he became a nominator, an overview of his experiences with the Drama Desk, and the troubles and triumphs of becoming a septuagenarian critic seeing hundreds of plays each year. The book also contains photos of the programs for the many plays he attended during the year covered. Later volumes will contain an even greater abundance of his reviews.
Kabuki Plays on Stage. Volume 2
Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the man...
Historical Dictionary of Japanese Traditional Theatre
Historical Dictionary of Japanese Traditional Theatre is the only dictionary that offers detailed comprehensive coverage of the most important terms, people, and plays in the four principal traditional Japanese theatrical forms—nō, kyōgen, bunraku, and kabuki—supplemented with individual historical essays on each form. This updated edition adds well over 200 plot summaries representing each theatrical form in addition to: a chronology; introductory essay; appendixes; an extensive bibliography; over 1500 cross-referenced entries on important terms; brief biographies of the leading artists and writers; and plot summaries of significant plays. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Japanese theatre.
