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Court-martial Reports of the Judge Advocate General of the Air Force
Vol. 4 contains cumulative table of cases reported and citator.
African American Literary Theory
Fifty-one essays by writers such as Langston Hughes, W.E.B. Du Bois, Ralph Ellison, and Zora Neale Hurston, as well as critics and academics such as Henry Louis Gates, Jr. examine the central texts and arguments in African American literary theory from the 1920s through the present. Contributions are organized chronologically beginning with the rise of a black aesthetic criticism, through the Black Arts Movement, feminism, structuralism and poststructuralism, queer theory, and cultural studies. Annotation copyrighted by Book News Inc., Portland, OR
Chaotic Justice
What is African American about African American literature? Why identify it as a distinct tradition? John Ernest contends that too often scholars have relied on nave concepts of race, superficial conceptions of African American history, and the marginalization of important strains of black scholarship. With this book, he creates a new and just r...
The Politics of Paul Robeson's Othello
Lindsey R. Swindall examines the historical and political context of acclaimed African American actor Paul Robeson's three portrayals of Shakespeare's Othello in the United Kingdom and the United States. These performances took place in London in 1930, on Broadway in 1943, and in Stratford-upon-Avon in 1959. All three of the productions, when considered together, provide an intriguing glimpse into Robeson's artistry as well as his political activism. The Politics of Paul Robeson's Othello maintains that Robeson's development into a politically minded artist explicates the broader issue of the role of the African American artist in times of crisis. Robeson (1898-1976) fervently believed that ...
Appropriating Blackness
Performance artist and scholar E. Patrick Johnson’s provocative study examines how blackness is appropriated and performed—toward widely divergent ends—both within and outside African American culture. Appropriating Blackness develops from the contention that blackness in the United States is necessarily a politicized identity—avowed and disavowed, attractive and repellent, fixed and malleable. Drawing on performance theory, queer studies, literary analysis, film criticism, and ethnographic fieldwork, Johnson describes how diverse constituencies persistently try to prescribe the boundaries of "authentic" blackness and how performance highlights the futility of such enterprises. Johns...
Blackbird
"Presents a history of the influence of Black musicians on the Beatles, exploring musical and storytelling legacies full of rich but contested symbolism and the transatlantic circulation of diaspora African arts, tropes, and symbols"--
Assembling Identities
This collection of sixteen essays, drawn from across the arts, humanities and social sciences, represents a cross-disciplinary exploration of some of the ways in which identities - whether of individuals, communities, or nations - are constructed, maintained and contested. It is introduced by the editor, Sam Wiseman, with a preface by Regenia Gagnier, and the essays are subdivided into four sections: Performative Identities; British Identities; Ethnic, Bodily and Sexual Identities; and Visual ...
JUSTICE AND HUMAN DIGNITY IN AFRICA
Justice and Human Dignity, a collection of essays, is an assemblage of critical and well-researched essays projecting new theoretical and empirical hindsight from multidisciplinary perspectives. This books will be of special interest to academics, researchers and students of African Literature, Children's Studies, Languages and Linguistics, Religion, Media Studies, History, Economics, Finance, Political Science, Leadership and Governance, Peace and Conflict Studies, Gender Studies and Studies in African Diaspora. In all, the essays provide new and veritable insights on how past and recent issues and challenges bordering on themes of Justice and Human Dignity affect Africa and Africans in the 21st century.
Sonia Sanchez's Poetic Spirit through Haiku
This collection of ten critical essays is the first scholarly criticism of haiku by Sonia Sanchez. Her haiku, full of power and emotional voice for people, love, human nature, and African American experience, redefine haiku in English and African American poetic expression with her unique individuality.
