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Sartre
Jean-Paul Sartre (1905-1980) dominated the cultural and literary life of post-war France. He believed from an early age that he had a mission to be a writer and proceeded to realize this as a novelist, philosopher, screenwriter, playwright, literary and art critic, biographer, essayist, polemicist and journalist. Although before the Second World War, Sartre showed little inclination to become involved in politics, from 1945 he established himself as the very personification of intellectual commitment, taking public positions on national and international political issues from the Liberation until very shortly before his death. In this new biography, David Drake considers the works of Franceâs most famous twentieth-century intellectual, his relations with his contemporaries, and the political causes he espoused, all of which the author firmly locates in the turbulent times through which Sartre lived.
The Castrato
The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato’s comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy—involving teachers, patrons, colleagues, and relatives—whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers—from Cavalli and Pergolesi to Handel, Mozart, and Rossini—were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.
The Eighteenth-Century Fortepiano Grand and Its Patrons
“Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice
Fazioli Grand Pianos
This book reveals the passion and expertise of those engaged in the construction of a unique and precious object destined for the world of art. Music critic Sandro Cappelletto tells the tale of a company that has been producing grand and concert pianos since 1981, when it was founded by Paolo Fazioli. Fazioli is therefore celebrating its fortieth anniversary in 2021. Passion for music and scientific skill, great craftsmanship, continuous technological research, and careful selection of materials are the necessary requirements for producing a Fazioli piano. The history of the company has been characterized by a crescendo of successes, from the first international exhibitions to acquisition by major global retailers, from sales at the world’s most prestigious theaters to close collaborations with famous artists who have exclusively requested Fazioli pianos for their concerts. The great pianists Angela Hewitt and Maurizio Baglini offer their precious perspectives in this book through conversations with Sandro Cappelletto.
Italy’s Eighteenth Century
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
The Cambridge Companion to Opera Studies
The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.
A History of Stringed Keyboard Instruments
The first comprehensive technical and historical study of stringed keyboard instruments from their fourteenth-century origins to modern times.
A small guide to great music
English version for the first volume of the book series: "Piccola guida alla grande musica", edited in Italy by Edizioni Sonda. An easy and peculiar way to getting to know great composers and their works, understanding their specific historical context, their life and human events. A delicate and progressive path for getting acquainted with great classical music and its masters.
Relentless Progress
Can fairy tales subvert consumerism? Can fantasy and children's literature counter the homogenizing influence of globalization? Can storytellers retain their authenticity in the age of consumerism? These are some of the critical questions raised by Jack Zipes, the celebrated scholar of fairy tales and children's literature. In this book, Zipes argues that, despite a dangerous reconfiguration of children as consumers in the civilizing process, children's literature, fairy tales, and storytelling possess a uniquely powerful (even fantastic)capacity to resist the "relentless progress" of negative trends in culture. He also argues that these tales and stories may lose their power if they are too...
Staging 'Euridice'
Newly-discovered evidence underpins this comprehensive account of the creation and staging of the earliest surviving 'opera', Euridice.
