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Passing Place is an intimate portrait of both Sandy Carson's mother and the village he grew up in the West of Scotland after emigrating to America at a young age. This series deals with separation, space, and the invisible family bonds that exist despite physical distance incurred by geographical displacement. The name is inspired by one-lane rural roads with wide spots that are common in Scotland, allowing vehicles to pass each other and continue on their journey. These photographs and memories made on annual visits home since 2001, are a testimony to Carson's upbringing and a gentle reminder that absence creates longing and nostalgia across the miles. Carson was drawn to make a record of everyday domestic rituals and routines during the rare times he and his mother spent together, to distill time with her portending passing last year. By uniting his photographs with the ephemera and family photos left behind by his mum, Carson is striving to fill the void by retracing their lives, embracing the formative years they spent together, and absorbing the ones they lost.
In twenty heavy chapters, this book chronicles Anselmi's experiences growing up as a straight edge, BMX-riding metalhead in Rock Springs, Wyoming, a place with one of the highest per capita suicide rates in the United States. His grandpa was a well-known businessman and politician in the area, and was featured in a 1977 60 Minutes episode for his alleged connections to organized crime. This is only the beginning of Anselmi's heavy saga, and it interweaves all of the social and personal history one might expect from a story like this--including Black Sabbath, Pantera, and Metallica logo tattoos, explorations in LSD, metal, and BMX culture, self-loathing and sobriety, and--finally--a very unique perspective on what it means to live in a heavy fucking world.
A wonderful antidote to rose-tinted travel writing
"Love inspired inspirational romance"--Spine.
photopgraphy book of images made around Austin Texas
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Humble Cats is a collection of fine art photographs with feline cameos. Originally presented by Humble Arts Foundation as an online exhibition, this updated curatorial masterpiece (from Humble co-founders Jon Feinstein and Amani Olu) now features images by over 70 photographers.
**WINNER of the EU Prize for Literature** 'One of the most exciting and original Northern Irish writers of her generation' SUNDAY TIMES 'Gripping, affecting, surprising. I inhaled it' LISA MCINERNEY 'Captivating, intelligent and courageous' IRISH TIMES 'Spectacular. At once grittily real, wildly magical and insanely alluring - a siren-song of a novel.' DONAL RYAN 'Jan Carson seems to have invented a new Belfast in this gripping, surprising, exhilarating novel.' RODDY DOYLE 'Blew me away with its power, anger and wit.' JOSEPH O'CONNOR Dr Jonathan Murray fears his new-born daughter is not as harmless as she seems. Sammy Agnew is wrestling with his dark past, and fears the violence in his blood lurks in his son, too. The city is in flames and the authorities are losing control. As matters fall into frenzy, and as the lines between fantasy and truth, right and wrong, begin to blur, who will these two fathers choose to protect? Dark, propulsive and thrillingly original, this tale of fierce familial love and sacrifice fizzes with magic and wonder.
“Friend, asshole, angel, mutant,” singer-songwriter Vic Chesnutt “came along and made us gross and broken people seem . . . I dunno, cooler, I guess.” A quadriplegic who could play only simple chords on his guitar, Chesnutt recorded seventeen critically acclaimed albums before his death in 2009, including About to Choke, North Star Deserter, and At the Cut. In 2006, NPR placed him in the top five of the ten best living songwriters, along with Bob Dylan, Tom Waits, Paul McCartney, and Bruce Springsteen. Chesnutt’s songs have also been covered by many prominent artists, including Madonna, the Smashing Pumpkins, R.E.M., Sparklehorse, Fugazi, and Neutral Milk Hotel. Kristin Hersh toure...