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"Compassionate and complex" Financial Times "Stridsberg writes with chilling poise" New York Times "A haunting portrait of the starkest meanings of love and family. Stridsberg's literary talent left me awestruck" KATE REED PETTY, author of True Story **A Financial Times Book of the Year 2021** They say you die three times. The first time for me was when my heart stopped beating beneath his hands by the lake. The second was when what was left of me was lowered into the ground in front of Ivan and Raksha at Bromma Church. The third will be the last time my name is spoken on earth. Inni lives her life on the margins, but it is a life that is full and complex, filled with different shades of dar...
In April 1988, Valerie Solanas - the writer, radical feminist and would-be assassin of Andy Warhol - was discovered dead in her hotel room, in a grimy corner of San Francisco. She was only 52; alone, penniless and surrounded by the typed pages of her last writings. In The Faculty of Dreams, Sara Stridsberg revisits the hotel room where Solanas died, the courtroom where she was tried and convicted of attempting to murder Andy Warhol, the Georgia wastelands where she spent her childhood, where she was repeatedly raped by her father and beaten by her alcoholic grandfather, and the mental hospitals where she was interned. Through imagined conversations and monologues, reminisces and rantings, Stridsberg reconstructs this most intriguing and enigmatic of women, articulating the thoughts and fears that she struggled to express in life and giving a powerful, heartbreaking voice to the writer of the infamous SCUM Manifesto.
The award-winning and beautiful story of a child coping with her father's absence. The book tackles a difficult subject with great tenderness, validating a child's experience of a parent suffering from depression. "This poignant, gentle book . . . will be immensely helpful to anyone caring for the child of someone with major depression. It fills an important gap in literature for young children."—Andrew Solomon, author of The Noonday Demon (winner of the National Book Award) and Far From the Tree Zoe’s dad isn’t home. She still sees him in photographs, laughing and playing tennis, but for now she can only visit him in a building where everyone looks sad and the walls are an ugly pink c...
A dazzlingly inventive and acclaimed novel set in a Stockholm psychiatric hospital - by one of Sweden's most exciting literary talents "I'll put my head in the oven so you know where I am," he whispers, kissing her neck. Jim - charming, captivating, much loved by his women friends - has attempted suicide several times. Over his period of incarceration at the Beckomberga hospital for the mentally unstable, he voices his determination to succeed. Some day soon, he tells his daughter - as he has earlier told his mother and his wife - he will swallow sixty tablets, help them down with a bottle of whisky, and swim impossibly far out into the Atlantic. Will he, really? This question plagues Jim's ...
"Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and destroy the male sex." Outrageous and violent, SCUM Manifesto was widely lambasted when it first appeared in 1968. Valerie Solanas, the woman who shot Andy Warhol, self-published the book just before she became a notorious household name and was confined to a mental institution. But for all its vitriol, it is impossible to dismiss as the mere rantings of a lesbian lunatic. In fact, the work has proved prescient, not only as a radical feminist analysis light years ahead of its time-predicting artificial insemination, ATMs, a feminist uprising against underrepresentation in the arts-but also as a stunning testament to the rage of an abused and destitute woman. In this edition, philosopher Avital Ronell's introduction reconsiders the evocative exuberance of this infamous text.
With stunning subtlety and precision, these eleven stories embrace contradiction and transport us to in-between realms: between tenderness and violence, between the dreamlike and the excruciatingly real, between childlike wonder and ancient wisdom. A young woman becomes obsessed with her psychoanalyst's daughter. A police officer's mistress clandestinely cares for his dying wife. A boy goes missing from the Swedish town of Huskvarna after he was last seen walking with a wolf. From the inside of a dead whale's belly, to an industrial town emptied out after its factory's closure, to a Texan prison where a young man visits his sister's murderer on death row, Stridsberg approaches both the strange and the mundane with a fairy-tale sensibility that lights our world anew. Time runs through this collection like water, variously ebbing, flowing and rippling beneath the shimmering surface of Stridsberg's prose. These genre-spanning stories are held together by a sense of longing: for escape from the narrow margins of a prescribed life, for a past which promises an undiscovered future, for a place or a person that feels like home. Translated from the Swedish by Deborah Bragan-Turner
Throughout her career, Cindy Sherman (*1954 in Glen Ridge, New Jersey) has been interested in the derailed and deviant sides of human nature, noticeable both in her selection of subject matter (fairytales, disasters, sex, horror, and surrealism) and in her disquieting interpretations of well-established photographic genres, such as film stills, fashion photography, and society portraiture. This richly illustrated publication seeks to highlight and acknowledge these aspects of her work based on selected examples and accompanied by texts by well-known authors, filmmakers, and artists who likewise deal with the grotesque, the uncanny, and the extraordinary in their artistic practice.(German edition ISBN 978-3-7757-3486-8 ) Exhibition schedule: Astrup Fearnley Museet for Moderne Kunst Oslo, May 4, 2013 | Moderna Museet, Stockholm, October 19, 2013 | Kunsthaus Zürich, June 2014
This book questions why so many mothers leave their families in twenty-first-century Swedish literature, analyzing literary representations of maternal abandonment in relation to sociopolitical discourses. The volume draws on a queer-theoretical framework in order to highlight norm-critical dimensions, failure, and resistance in literature about motherhood. Jenny Björklund argues that novels about mothers who leave can be understood as ways to problematize and challenge Swedish-branded values like gender equality and a progressive family politics that promotes ideals of involved parenthood, the nuclear family, and pronatalism. The book also raises questions beyond the Swedish context about maternal ambivalence, family politics, and privilege and discusses how literature can work as resistance and provide alternatives to the current social order.