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Offers the full-length study of the descriptive art found in four medieval poems: Sir Gawain and the Green Knight, Pearl, Purity, and Patience.
Despite the West's privileging of slenderness as an aesthetic ideal, the African Diaspora has historically displayed a resistance to the Western European and North American indulgence in 'fat anxiety.' The Embodiment of Disobedience explores the ways in which the African Diaspora has rejected the West's efforts to impose imperatives of slenderness and mass market fat-anxiety. Author Andrea Shaw explores the origins and contradictions of this phenomenon, especially the cultural deviations in beauty criteria and the related social and cultural practices. Unique in its examination of how both fatness and blackness interact on literary cultural planes, this book also offers a diasporic scope that develops previously unexamined connections among female representations throughout the African Diaspora.
The extensively revised and expanded version of the acclaimed Companion to Chaucer An essential text for both established scholars and those seeking to expand their knowledge of Chaucer studies, A New Companion to Chaucer is an authoritative and up-to-date survey of Chaucer scholarship. Rigorous yet accessible, this book helps readers to identify current debates, recognize historical and literary context, and to understand how particular concepts and theories affect the interpretation of Chaucer’s texts. Chaucer specialists from around the globe offer contributions that range from updates of long-standing scholarship on biography, language, women, and social structures, to original researc...
This collection of essays, whose title echoes that of her most well-known book, celebrates the career of Barbara A. Hanawalt, emerita George III Professor of British Studies at The Ohio State University. The volume's contents -- ranging from politics to family histories, from intimate portraits to extensive prosopographies -- are authored by both former students and career-long colleagues and friends, and reflect the wide range of topics on which Professor Hanawalt has written as well as her varied methodological approaches and disciplinary interests. The essays also mirror the variety of sources Professor Hanawalt has utilized in her work: public documents of the law courts and chancery; private deeds, charters, and wills; works of both religious and secular literature. The collection not only illustrates and reinforces the influence of Barbara Hanawalt's work on modern-day medieval studies, it is also a testament to her inspiring friendship and guidance during a career that has now spanned more than three decades.
This collection of essays, whose title echoes that of her most well-known book, celebrates the career of Barbara A. Hanawalt, emerita George III Professor of British Studies at The Ohio State University. The volume's contents -- ranging from politics to family histories, from intimate portraits to extensive prosopographies -- are authored by both former students and career-long colleagues and friends, and reflect the wide range of topics on which Professor Hanawalt has written as well as her varied methodological approaches and disciplinary interests. The essays also mirror the variety of sources Professor Hanawalt has utilized in her work: public documents of the law courts and chancery; private deeds, charters, and wills; works of both religious and secular literature. The collection not only illustrates and reinforces the influence of Barbara Hanawalt's work on modern-day medieval studies, it is also a testament to her inspiring friendship and guidance during a career that has now spanned more than three decades.
The journal of Philadelphia Quaker Elizabeth Sandwith Drinker (1735-1807) is perhaps the single most significant personal record of eighteenth-century life in America from a woman's perspective. Drinker wrote in her diary nearly continuously between 1758 and 1807, from two years before her marriage to the night before her last illness. The extraordinary span and sustained quality of the journal make it a rewarding document for a multitude of historical purposes. One of the most prolific early American diarists—her journal runs to thirty-six manuscript volumes—Elizabeth Drinker saw English colonies evolve into the American nation while Drinker herself changed from a young unmarried woman ...
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Mapping uncharted territory in the study of liturgy's past, this book offers a history to contemporary questions around gender and liturgical life. Teresa Berger looks at liturgy's past through the lens of gender history, understood as attending not only to the historically prominent binary of "men" and "women" but to all gender identities, including inter-sexed persons, ascetic virgins, eunuchs, and priestly men. Demonstrating what a gender-attentive inquiry is able to achieve, Berger explores both traditional fundamentals such as liturgical space and eucharistic practice and also new ways of studying the past, for example by asking about the developing link between liturgical presiding and priestly masculinity. Drawing on historical case studies and focusing particularly on the early centuries of Christian worship, this book ultimately aims at the present by lifting a veil on liturgy's past to allow for a richly diverse notion of gender differences as these continue to shape liturgical life.
Then He Kissed Me, He's A Rebel, Chains, Stop! In the Name of Love all these songs capture the spirit of an era and an image of "girlhood" in post-World War II America that still reverberates today. While there were over 1500 girl groups recorded in the '60s--including key hitmakers like the Ronettes, the Supremes, and the Shirelles - studies of girl-group music that address race, gender, class, and sexuality have only just begun to appear. Warwick is the first writer to address '60s girl group music from the perspective of its most significant audience--teenage girls--drawing on current research in psychology and sociology to explore the important place of this repertoire in the emotional development of young girls of the baby boom generation. Girl Groups, Girl Culture stands as a landmark study of this important pop music and cultural phenomenon. It promises to be a classic work in American musicology and cultural studies.