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Sculptures of the Nigerian Middle Belt
Presents objects from private collections showcasing the wondrous variety of sculptures from the Nigerian Middle Belt The ethnographic literature of the 20th century focused mainly on the sculptural traditions of the numerous ethnic groups that populated Southern Nigeria while the more northern areas remained largely terra incognita. In 2013 Jan Strybol published a study on the sculpture of Northern Nigeria. He pointed out that in many parts of this region there are people who still had, at least until recently, their own sculptural tradition. In this study the author restricted himself to what is referred to as the Middle Belt and especially to the part between the Bauchi Plateau, the Gongo...
Nigerian Art
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Mumuye
Through forty-one masterworks, Mumuye reveals some of the most accomplished statues made by this Nigerian tribal group. It was not until the late 1960s that statues from the Mumuye culture of northeastern Nigeria appeared on the European art scene. Their impact was immediate and profound: African art aficionados marvelled at Mumuye artists' abstract interpretation of the human body, which recalled the approach to anatomy by artists of the Cubist and Expressionist movements. Indeed, anthropomorphic Mumuye figure sculptures demonstrate an astonishing range of variations, testifying to their makers' unbridled creativity and limitless inventiveness. Here, a meticulous analysis of the extraordina...
From Yelwa to Yola
The ethnographic literature of the first half of the 20th century paid hardly any attention to the sculptural traditions of the numerous ethnic groups that populated Nigeria. The study of Nigerian art only really got going thanks to the pioneering work of William Fagg who published numerous books and exhibition catalogues on this subject as from the 1950s. The focus, however, was on the ancient art of Ife and Benin, on the one hand, and on the southwestern Yoruba, on the other hand. At the end of the sixties, a great number of wooden sculptures from the Benue Valley - a tributary of the Niger River - came to light. Statues and masks of the Igala, Idoma, Jukun, Mumuye and others conquered the...
Nok
This book provides insights into the archaeological context of the Nok Culture in Nigeria (West Africa). It was first published in German accompanying the same-titled exhibition “Nok – Ein Ursprung afrikanischer Skulptur” at the Liebieghaus Skulpturensammlung in Frankfurt (30th October 2013 – 23rd March 2014) and has now been translated into English. A team of archaeologists from the Goethe University Frankfurt/Main has been researching the Nok Culture since 2005. The results are now presented to the public. The Nok Culture existed for about 1500 years – from around the mid-second millennium BCE to the turn of the Common Era. It is mainly known by the elaborate terracotta sculpture...
Treasures of Ancient Nigeria
The magnificent art that is the heritage of Nigeria was, for the first time, presented to the world beyond Nigeria at the "Treasures of Ancient Nigeria - Legacy of Two Thousand Years" exhibit at The Fine Arts Museums of San Francisco and the California Palace of the Legion of Honor from April 27 - June 29, 1980. This book is a record of that exhibit and what it represented. One hundred extraordinary works of art in bronze, terracotta, and ivory - works spanning more than two thousand years, from the fifth century B.C., and representing seven cultures (Nok, Igbo-Ukwu, Ife, Owo, Benin, Tsoede, and Esie) - were selected for exhibition in the United States and are shown here in 137 photographs and plates, 53 in full color. The introduction is by Dr. Ekpo Eyo, Director of Nigeria's Department of Antiquities and head of Nigeria's National Museums, and the interpretive text is by Frank Willett, who taught art and archaeology at Oxford and Northwestern Universities and was formerly an archaeologist for Nigeria's Department of Antiquities and Curator of the Museum of Ife Antiquities.
