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Fully updated to meet the demands of the 21st-century surgeon, Plastic Surgery provides you with all the most current knowledge and techniques across your entire field, allowing you to offer every patient the best possible outcome. Edited by Drs. Mathes and Hentz in its last edition, this six-volume plastic surgery reference now features new expert leadership, a new organization, new online features, and a vast collection of new information - delivering all the state-of-the-art know-how you need to overcome any challenge you may face. Renowned authorities provide evidence-based guidance to hel
The Humanist World of Renaissance Florence offers the first synthetic interpretation of the humanist movement in Renaissance Florence in more than fifty years.
First multi-year cumulation covers six years: 1965-70.
Originally published in 1986, this book uses Florentine death registers to show the changing character of plague from the first outbreak of the Black Death in 1348 to the mid-fifteenth century. Through an innovative study of this evidence, Professor Carmichael develops two related strands of analysis. First, she discusses the extent to which true plague epidemics may have occurred, by considering what other infectious diseases contributed significantly to outbreaks of 'pestilence'. She finds that there were many differences between the fourteenth- and fifteenth-century epidemics. She then shows how the differences in the plague reshaped the attitudes of Italian city-dwellers toward plague in the fifteenth century. This book will be of value to anyone with an interest in the history of the plague, Renaissance Italy and the history of medicine.
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Niccolò Machiavelli may not have been a cynical realist as he is often portrayed. On the contrary, this book argues that he precociously possessed the characteristics of an impassioned, sometimes misguided idealist, obsessed with the idea of Italian unification, but blinded to the practicalities of attaining that goal. William J. Landon suggests that these characteristics may help to explain his appeal to Italy's «Risorgimento» founders. This interdisciplinary volume, which also contains the first translation of a «Discourse or Dialogue Concerning our Language» since 1961, works well as a core text, or as a complement to courses in Renaissance history, literature or political science.
The Medici Women is a study of the women of the famous Medici family of republican Florence in the fifteenth and early sixteenth centuries. Natalie Tomas here examines critically the changing contribution of the women in the Medici family to the eventual success of the Medici regime and their exercise of power within it; and contributes to our historical understanding of how women were able to wield power in late medieval and early modern Italy and Europe. Tomas takes a feminist approach that examines the experience of the Medici women within a critical framework of gender analysis, rather than biography. Keeping the historiography to a minimum and explaining all unfamiliar Italian terms, Tomas makes her narrative clear and accessible to non-specialists; thus The Medici Women appeals to scholars of women's studies across disciplines and geographical boundaries.
The first of its kind, this guide enables readers to get as close as possible to the words of Dante's Comedy. Opening up interpretative possibilities that only become available through reading the poem in its original form, it equips students with an enjoyable and accessible grammatical introduction to the language of early Italian. Including a series of passages drawn from Inferno, Purgatorio and Paradiso, the text is accompanied by a detailed glossary, followed by a commentary which pays particular attention to matters of language and style. Further reading and study questions are provided at the end of each section, prompting new and fresh ways of engaging with the text. Readers will discover how, by listening to Dante in his own words, one may newly and more fully appreciate the breathtaking beauty of the Comedy.
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his Treatise on Painting, first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, ...