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Committed to Memory
How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was—shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this ar...
Half in Shadow
Nellie Y. McKay (1930–2006) was a pivotal figure in contemporary American letters. The author of several books, McKay is best known for coediting the canon-making Norton Anthology of African American Literature with Henry Louis Gates Jr., which helped secure a place for the scholarly study of Black writing that had been ignored by white academia. However, there is more to McKay’s life and legacy than her literary scholarship. After her passing, new details about McKay’s life emerged, surprising everyone who knew her. Why did McKay choose to hide so many details of her past? Shanna Greene Benjamin examines McKay’s path through the professoriate to learn about the strategies, sacrifices, and successes of contemporary Black women in the American academy. Benjamin shows that McKay’s secrecy was a necessary tactic that a Black, working-class woman had to employ to succeed in the white-dominated space of the American English department. Using extensive archives and personal correspondence, Benjamin brings together McKay’s private life and public work to expand how we think about Black literary history and the place of Black women in American culture.
Paul Laurence Dunbar
"This biography explores the life of Paul Laurence Dunbar (1872-1906), a major nineteenth-century American poet and one of the first African American writers to garner international attention and praise in the wake of emancipation. While Dunbar is perhaps best known for poems such as 'Sympathy' (a poem that ends 'I know why the caged bird sings!') and 'We Wear the Mask,' he wrote prolifically in many genres, including a newspaper he produced with his friends Orville and Wilbur Wright in their hometown of Dayton, Ohio. Before his early death he published fourteen books of poetry, four collections of short stories, and four novels, and also collaborated on theatrical productions, including the...
The Furrows
A powerful new novel about grief and mourning from the acclaimed and prize-winning author of The Old Drift A BARACK OBAMA BOOK OF THE YEAR and NEW YORK TIMES BOOK OF THE YEAR I don't want to tell you what happened. I want to tell you how it felt. Cassandra is twelve; her little brother Wayne is seven. One day, when they're alone together, there's an accident and Wayne is lost forever. Though his body is never recovered, their mother can't stop searching. As Cassandra grows older, she sees her brother everywhere: in cafes, aeroplane aisles, subway cars. But it can't be, of course. Or can it? And then one day, there's another accident, and she meets a man both mysterious and familiar, a man who shares her brother's name and who is also searching for someone... 'In Namwali Serpell's hands, grief is a kind of possession. The Furrows is a piercing, sharply written novel about the conjuring power of loss' - RAVEN LEILANI, author of Luster
China and the Writing of English Literary Modernity, 1690–1770
Argues that eighteenth-century literature defined itself as 'English' and 'modern' by engaging with debates about Chinese history and culture.
American Vandal
Unintimidated by Old World sophistication or travel to undeveloped parts of the globe, Mark Twain spent a surprising amount of time outside the continental United States. Morris focuses on the dozen years he lived overseas and the books he wrote encouraging middle-class Americans to follow him around the world, at the dawn of mass tourism.
Mark Twain Under Fire
Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been "under fire" since the advent of his career. Threatened by a rival editor brandishing a double-barreled shotgun, young Samuel Clemens had his first taste of literary criticism. Clemens began his long writing career penning satirical articles for his brother's newspaper in Hannibal, Missouri. His humor delighted everyone except his targets, and it would not be the last time his writing provoked threats of "dissection, tomahawking, libel, and getting his head shot off." Clemens adopted the name Mark Twain while living in the Nevada Territory, where his caustic comedy led to angry confr...
The People's Republic of Amnesia
"One of the best analyses of the impact of Tiananmen throughout China in the years since 1989." --The New York Times Book Review
The Cambridge Companion to Harriet Beecher Stowe
The Cambridge Companion to Harriet Beecher Stowe establishes new parameters for both scholarly and classroom discussion of Beecher Stowe's writing and life. This collection of specially commissioned essays provides new perspectives on the frequently read classic Uncle Tom's Cabin, as well as on topics of perennial interest, such as Stowe's representation of race, her attitude to reform, and her relationship to the American novel. The volume investigates Stowe's impact on the American literary tradition and the novel of social change. Contributions also offer lucid and provocative readings that analyze Stowe's writings through a variety of contexts, including antebellum reform, regionalism, law and the protest novel. Fresh, accessible, and engaged, this is the most up to date introduction available to Stowe's work. The volume, which offers a comprehensive chronology of Stowe's life and a helpful guide to further reading, will be of interest to students and teachers alike.
The Lemonade Reader
The Lemonade Reader is an interdisciplinary collection that explores the nuances of Beyoncé’s 2016 visual album, Lemonade. The essays and editorials present fresh, cutting-edge scholarship fueled by contemporary thoughts on film, material culture, religion, and black feminism. Envisioned as an educational tool to support and guide discussions of the visual album at postgraduate and undergraduate levels, The Lemonade Reader critiques Lemonade’s multiple Afrodiasporic influences, visual aesthetics, narrative arc of grief and healing, and ethnomusicological reach. The essays, written by both scholars and popular bloggers, reflects a broad yet uniquely specific black feminist investigation into constructions of race, gender, spirituality, and southern identity. The Lemonade Reader gathers a newer generation of black feminist scholars to engage in intellectual discourse and confront the emotional labor around the Lemonade phenomena. It is the premiere source for examining Lemonade, a text that will continue to have a lasting impact on black women’s studies and popular culture.
