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Stucco in the Islamic World
A wide-ranging, illustrated exploration of the uses of stucco in Islamic architecture in the pre-modern period. Coverage includes Iran and reaches as far afield as Spain and India.
Medieval Monuments of Central Asia
This is a comprehensive study of the surviving monuments of the Qarakhanids - an important yet little-known medieval dynasty that ruled much of Central Asia between the late 10th and early 13th centuries. Based on extensive fieldwork and many hard-to-find Russian sources, the book places the surviving monuments into the wider cultural context of the region. Many photographs and new ground-plans are included, as well as detailed studies of individual monuments and the wider architectural aesthetic. These monuments serve as the link between the mostly lost Samanid architecture and the far larger and better-known monuments of the Timurids.
Rum Seljuq Architecture, 1170-1220
This lavishly illustrated volume presents the major surviving monuments of the early period of the Rum Seljuqs, the first major Muslim dynasty to rule Anatolia. A much-needed overview of the political history of the dynasty provides the context for the study of the built environment which follows. The book addresses the most significant monuments from across the region: a palace, a minaret and a hospital are studied in detail, along with an overview of the decorative portals attached to a wide array of different building types. The case studies are used to demonstrate the key themes and processes of architectural synthesis and development that were under way at the time, and how they reflect the broader society.
Medieval Monuments of Central Asia
This is a comprehensive study of the surviving monuments of the Qarakhanids - an important yet little-known medieval dynasty that ruled much of Central Asia between the late 10th and early 13th centuries. Based on extensive fieldwork and many hard-to-find Russian sources, the book places the surviving monuments into the wider cultural context of the region. Many photographs and new ground-plans are included, as well as detailed studies of individual monuments and the wider architectural aesthetic. These monuments serve as the link between the mostly lost Samanid architecture and the far larger and better-known monuments of the Timurids.
Islamic Manuscripts of Late Medieval Rum, 1270s-1370s
Between the Mongol invasions in the mid-13th century and the rise of the Ottomans in the late 14th century, the Lands of Rum were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here in this extensively illustrated volume. Meticulously analysing 15 beautifully decorated Arabic and Persian manuscripts, including Qur'ans, mirrors-for-princes, historical chronicles and Sufi works, Cailah Jackson traces the development of calligraphy and illumination in late medieval Anatolia. She shows that the central Anatolian city of Konya, in particular, was a dynamic centre of artistic activity and that local Turcoman princes, Seljuk bureaucrats and Mevlevi dervishes all played important roles in manuscript production and patronage.
Mevlevi Manuscripts, 1268-c. 1400
This book provides a detailed and carefully researched catalogue of over 140 manuscripts related to the Mevlevi Sufis in their formative period during the thirteenth and fourteenth centuries. It also offers an in-depth and rigorous analysis of the manuscript material, which reveals much about the role of manuscripts in early Mevlevi life, the identity of disciples who were scribes and manuscript owners, and the geographical spread of the Sufi group. The Mevlevi Sufis were one of the most important and prominent socio-religious groups to emerge in late medieval Anatolia, following the Mongol conquests of the 1240s. Sometimes known colloquially as the 'whirling dervishes,' the Mevlevis became ...
Making of the Artist in Late Timurid Painting
In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.
Seljuqs and their Successors
Rising from nomadic origins as Turkish tribesmen, the powerful and culturally prolific Seljuqs and their successor states dominated vast lands extending from Central Asia to the eastern Mediterranean from the eleventh to the fourteenth century. Supported by colour images, charts, and maps, this volume examines how under Seljuq rule, migrations of people and the exchange and synthesis of diverse traditions-including Turkmen, Perso-Arabo-Islamic, Byzantine, Armenian, Crusader and other Christian cultures-accompanied architectural patronage, advances in science and technology and a great flowering of culture within the realm. It also explores how shifting religious beliefs, ideologies of authority, and lifestyle in Seljuq times influenced cultural and artistic production, urban and rural architecture, monumental inscriptions and royal titulature, and practices of religion and magic. It also presents today's challenges and new approaches to preserving the material heritage of this vastly accomplished and influential civilization.
Calligraphy and Architecture in the Muslim World
This major reference work covers all aspects of architectural inscriptions in the Muslim world: the artists and their patrons, what inscriptions add to architectural design, what materials were used, what their purpose was and how they infuse buildings with meaning. From Spain to China, and from the Middle Ages to our own lifetime, Islamic architecture and calligraphy are inexorably intertwined. Mosques, dervish lodges, mausolea, libraries, even baths and market places bear masterpieces of calligraphy that rival the most refined of books and scrolls.
Tomb – Memory – Space
From an intercultural perspective, this book focuses on aesthetic strategies and forms of representation in premodern Christian and Islamic sepulchral art. Seeing the tomb as an interface for eschatological, political, and artistic debate, the contributions analyze the diversity of memorial space configurations. The subjects range from the complex interaction between architecture and tomb topography through to questions relating to the funereal expression of power and identity, and to practices of ritual realization in the context of individual and collective memory.
