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An exploration of the interrelated trends of Mexico's transitional politics and society. Offering perspectives on the problems on the Mexican agenda, the authors discuss the politics of change, the challenges of social development, and how to build a mutually beneficial US-Mexico relationship.
Reports of scandal and corruption have led to the downfall of numerous political leaders in Latin America in recent years. What conditions have developed that allow for the exposure of wrongdoing and the accountability of leaders? Enforcing the Rule of Law examines how elected officials in Latin American democracies have come under scrutiny from new forms of political control, and how these social accountability mechanisms have been successful in counteracting corruption and the limitations of established institutions. This volume reveals how legal claims, media interventions, civic organizations, citizen committees, electoral observation panels, and other watchdog groups have become effective tools for monitoring political authorities. Their actions have been instrumental in exposing government crime, bringing new issues to the public agenda, and influencing or even reversing policy decisions. Enforcing the Rule of Law presents compelling accounts of the emergence of civic action movements and their increasing political influence in Latin America, and sheds new light on the state of democracy in the region.
This volume represents a rereading of modernism and the modernist canon from a double distance: geographical and temporal. It is a revision not only from the periphery (Spain and Latin America), but from this new fin de si cle as well, a revisiting of modernity and its cultural artifacts from that same postmodernity. Modernism and Its Margins is an attempt at introducing different perspectives and examples in the theoretical debate, redefine dominant assumptions of what modernism-or margins-mean in our historical juncture.
When Vicente Fox was elected Mexico&’s president in 2000, the world&’s most enduring twentieth-century authoritarian regime finally came to an end. In this book Paul Haber explains how urban popular movements contributed to such a historic transition. In the 1960s Mexico&’s urban poor, effectively incorporated into institutionalized forms of clientelism and cooptation, were perceived as passive and acquiescent. Their situation changed during the 1970s, Haber shows, as popular movements&—led largely by young people inspired by the revolutionary ideals of Mexico&’s 1960s student movement&—took the first steps toward mobilizing the urban poor in what would develop into the full-scal...
This book is a detailed study of salient examples of Mexican travel writing from the nineteenth and twentieth centuries. While scholars have often explored the close relationship between European or North American travel writing and the discourse of imperialism, little has been written on how postcolonial subjects might relate to the genre. This study first traces the development of a travel-writing tradition based closely on European imperialist models in mid-nineteenth-century Mexico. It then goes on to analyse how the narrative techniques of postmodernism and the political agenda of postcolonialism might combine to help challenge the genre's imperialist tendencies in late twentieth-century works of travel writing, focusing in particular on works by writers Juan Villoro, Héctor Perea and Fernando Solana Olivares.
Covers the period from 1968 to 1989.
At its current state of historical development, capital finds its internal contradictions tending towards an irresolvable character as manifested in multiple crises. Embodied in a fistful of gigantic transnational companies whose representatives seek consolidation as a global oligarchy, capital continues to concentrate its economic, political and military power as it produces a growing mass of redundant human beings, promotes conflicts that result in misery, chaos, social degradation and death, and destroys entire societies while razing the natural environment, thereby putting humanity itself at risk. The defense of life and the construction of renewed hope for a future require opposition to the domination of capital. This book seeks to contribute to that effort by setting out an analysis of the mechanisms in which capital is based.
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among m...
For fans of pro soccer in Mexico City, the four most popular teams represent distinct identities that embody such attributes as political power, nationalism, and working-class values. One of these teams, the Pumas, is associated with youthfulness, and its equally youthful fans take pride in the fact that their heroes have not yet been corrupted by corporate or political interests. This ethnographic study examines Puma fans’ understanding of the ideal that the team represents, considers the practices they employ to express and sometimes contradict this ideal, and reveals how soccer fandom in contemporary Mexico has emerged as a nexus of tensions among competing visions of state and society....
Annotation In the aftermath of disaster, literary and other cultural representations of the event can play a role in the renegotiation of political power. Here, the author analyses four natural disasters in Latin America that acquired national significance and symbolism through literary mediation.