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Fragments of Tragedy in Postmodern Film
Despite the theories about the “death of tragedy”, this book explores fragments and reflections of tragedy in postmodern film. Tragedy has changed and evolved with human society, and its continuous chain from Ancient Greece to modern times has been broken by postmodernism. However, certain aspects of tragedy have continued to be used by literature and film: in particular, films with themes of chaos, violence, popular culture, paranoia, virtual reality and alienation often use aspects of tragedy. The focus of this study is on these facets adopted by postmodern film.
From Ciné-goûters to Screenings for Cinephilie
In the book establish an initial assessment on the life of cinemas belonging to the Instituts français and the Alliances françaises.
The Routledge Companion to Urban Media and Communication
The Routledge Companion to Urban Media and Communication traces central debates within the burgeoning interdisciplinary research on mediated cities and urban communication. The volume brings together diverse perspectives and global case studies to map key areas of research within media, cultural and urban studies, where a joint focus on communications and cities has made important innovations in how we understand urban space, technology, identity and community. Exploring the rise and growing complexity of urban media and communication as the next key theme for both urban and media studies, the book gathers and reviews fast-developing knowledge on specific emergent phenomena such as: reading ...
The Routledge Companion to Global Television
Featuring scholarly perspectives from around the globe and drawing on a legacy of television studies, but with an eye toward the future, this authoritative collection examines both the thoroughly global nature of television and the multiple and varied experiences that constitute television in the twenty-first century. Companion chapters include original essays by some of the leading scholars of television studies as well as emerging voices engaging television on six continents, offering readers a truly global range of perspectives. The volume features multidisciplinary analyses that offer models and guides for the study of global television, with approaches focused on the theories, audiences...
IHLAMUR 22
IHLAMUR DERGİSİ Sayı 22
Notos Öykü 63 - Murathan Mungan
Murathan Mungan • Javier Cercas: “Bir şey ya romandır ya da tarih.” • Yazarın Fırçası: Charlotte ve Emily Brontë, George Sand, Elizabeth Bishop • Tanıl Bora: “Devamlılık içinde değişim, değişim içinde devamlılık…” • Tahar Ben Jelloun: Edebiyat Ne Yapabilir? Edebiyatımızın önde gelen dergilerinden Notos, yaptığı bütün yazar dosyalarını kalıcı bir kaynağa dönüştüren anlayışıyla bu sayıda Murathan Mungan’a yöneliyor. Murathan Mungan her şeyden önce şair. Yaşayan edebiyatımız içinde okurlarını kendi çekim alanında onun kadar güçlü tutan bir şair olmak kolay değil. Üstelik hemen yanında öykücülüğü var. Sonra oyun...
Bir Şifa Bağımlısının İtirafları
“İpin ucunu bir yerde kaçırdım. Bazı kadınların hep daha fazla estetiğe ihtiyaç duymaları gibi, ben de ruh estetiğine ihtiyaç duyuyordum. Kabul ediyorum, şifa bağımlısı oldum.” Bu, sıradan bir annenin kişisel gelişim fenomenine kendini kaptırma hikâyesi... Şaman, astrolog, hipnotizmacı, vücut okuyucusu, bir düzine nefes, masaj ve dans terapisti, çok sayıda enerji uzmanı ve bin bir çeşit şifacı, bir insan ruhuna ne yapabilir? Cevap, Bir Şifa Bağımlısının İtirafları’nda… Tıbbın çaresiz kaldığı bir bağışıklık hastalığını yenmek için başvurduğu uygulamalarda hızını alamayan Ela Başak Atakan’ın, detoksla bağırsaklarını, yogayla kafasını, farkındalıkla nefesini ve bütün bunları yaparken cüzdanını boşaltmasını kahkahalarla okuyacaksınız.
Christopher Nolan
Christopher Nolan is the writer and director of Hollywood blockbusters like The Dark Knight and The Dark Knight Rises, and also of arthouse films like Memento and Inception. Underlying his staggering commercial success however, is a darker sensibility that questions the veracity of human knowledge, the allure of appearance over reality and the latent disorder in contemporary society. This appreciation of the sinister owes a huge debt to philosophy and especially modern thinkers like Friedrich Nietzsche, Sigmund Freud and Jacques Derrida. Taking a thematic approach to Nolan's oeuvre, Robbie Goh examines how the director's postmodern inclinations manifest themselves in non-linearity, causal agnosticism, the threat of social anarchy and the frequent use of the mise en abyme, while running counter to these are narratives of heroism, moral responsibility and the dignity of human choice. For Goh, Nolan is a 'reluctant postmodernist'. His films reflect the cynicism of the modern world, but with their representation of heroic moral triumphs, they also resist it.
Denial of Violence
To this day, the Turkish state officially denies that what happened to the Armenians in 1915 was genocide, while the Western scholarly community is almost in full agreement that what happened to the forcefully deported Armenian subjects of the Ottoman Empire in 1915 was genocide, in which approximately 800,000 to 1.5 million Armenians perished. This book studies why denial of collective violence persists in Turkish state and society.
