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Sean Woodfield has one tough life. Failing miserably at school and his afterschool activities, his jobless mother set to marry her cruel and bad tempered fiancZe, getting bullied everywhere he goes and not having one friend in the world; you get the picture. Then some hope finally arrives at SeanÕs balcony. That hope is a cat called Gary. The longer Gary stays, not only does Sean have a friend for the first time ever but his life starts to turn around quickly. The question is: is his life changing for the better since Gary arrived or getting even worse? Find out!
The poems featured in this anthology are quintessentially human documents informed by humor, compassion, and a joyful and visionary element—an impulse to praise what is really life and to protect it from the naysayers—as well as by a salutary realism and irony. This revised edition features the work of Tom Paulin, Medbh McGuckian, Paul Durcan, Aidan Carl Mathews, Anne Hartigan, Nuala ní Dhomhnaill, and others who were not included in the first edition. Moreover, the selections from those poets featured in the first edition have, in many cases, been extensively changed and updated. In total, more than half the poems published in this second edition did not appear in the first.
This book focuses on the two works in the subtitle as well as on unpublished manuscripts and notebooks in the Yeats collection of the National Library of Ireland. The author argues that by the end of the 1890s Yeats had developed a coherent symbolic system based on his work with Irish folklore and mythology and that this system is most clearly delineated in the first editions of the work and in Yeats's unpublished papers. The book begins with a study of Yeats's Irish and Celtic sources, then moves on to outline the symbolic theory, drawing heavily on Yeats's notebooks. The theory is then applied in a critical study of the poems, prose, and plays of the last half of the 1890s.
Introducing Confident Speaking, by voice, acting, communication and public speaking coach Alan Woodhouse, teaches you to express yourself more clearly, persuasively and confidently. Whether you want to ask your boss for a pay rise, chair meetings better, or deliver a faultless best-man speech, this book will teach you how to plan what to say, manage your anxieties and project your best self on the big day. TAILOR YOUR SPEECHES and find the perfect words for every occasion PROJECT YOUR VOICE and make sure you can be heard OVERCOME STAGE FRIGHT and get your point across
The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary poets as Seamus Heaney and Eavan Boland, Gregory A. Schirmer looks at the work of nearly a hundred poets. Considering the evolving political and social environments in which they lived and wrote, Schirmer shows how Irish poetry and culture have come to be shaped by the struggle to define Irish identity. Schirmer includes a large number of accomplished poets who have been unjustly neglected in standard accounts of Irish literature; many of these writers are women, whose work has been kept in the shadows cast by that of well-known male poets. He also emphasizes the importance of political poetry in a country that continues to be torn by sectarian violence. With its rich selection of poetic voices, Out of What Began reveals the political, social, and religious diversity of Irish culture.
Traces the history of twentieth century Irish poetry and examines the Irish literary tradition
Reowned criminalist Lincoln Rhyme is pitted against Amelia Sachs, his own brilliant protegee, as they disagree on the analysis of a crime they began working together.
Irish Poetry since 1950 is a survey of poetry, from Northern Ireland, the Republic, Britain, and the US, covering the 1950s, the 1960s, the early period of the Troubles up to 1976, the 1980s and the 1990s.
Lucy and Ben Reid and their children Jake and Emily are about to change their whole lives and move away from their family home at Primrose Hill. After Ben's Great Aunt Maud dies and his parents mysteriously disappear without a trace, they decide to move away to continue running Maud's shop, Bartons, in Frank and Janet Reid's absence. Follow their journey and see how they navigate their new lilfe living at Hilltop Manor. You will meet the staff who reside there with them, lots of new friends, and maybe some people who are not so nice along the way. Be prepared to face plenty of dramatic twists and turns throughout and, when Lucy is alone in the study (or so she thinks), near the big bookcases and filing cabinets in the darkest corner of the room, someone else joins her, but there is one big question... who is the face in the shadows?