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Volume 40 features research articles on Tibetan mountain deities, Mongghul ritual, material culture in Ladakh, Tibetan ritual practitioners, Tibetan naming practices, and lifestyle migration in Dali. The volume also has two folklore contributions and twenty-one book reviews. Editor's Note Articles Tsering Bum. "THE CHANGING ROLES OF TIBETAN MOUNTAIN DEITIES IN THE CONTEXT OF EMERGING ENVIRONMENTAL ISSUES: DKAR PO LHA BSHAM IN YUL SHUL" Limusishiden (Li Dechun) and Gerald Roche. "SOCIALIZING WITH GODS IN THE MONGGHULBOG RITUAL" Jacqueline H. Fewes and Abdul Nasir Khan. "MANUSCRIPTS, MATERIAL CULTURE, AND EPHEMERA OF THE SILK ROUTE: ARTIFACTS OF EARLY TWENTIETH CENTURY LADAKHITRADE BETWEEN CEN...
Selected works of author's predominantly on Tibetan literature and mythological Gesar epic.
This book provides an autobiographical account of life on the northeastern Tibetan Plateau in the late twentieth and early twenty-first centuries. Nagchukja's account takes the reader from his childhood in a resettled agro-pastoral community to his adulthood as a community grass-roots development worker.
The subject for this study, the Tibetan “treasure revealer” Gshen-chen Klu-dga’, is a crucial figure in the development of Bon as an organised religion after the eleventh century. Here for the first time he is situated in the context of what was happening in Buddhism at the time. By scrutinizing his life and gter-ma (“treasures”), that were to be of much controversy in later ages, Dan Martin sheds light on the mechanism of Tibetan polemical tradition and the ways in which sectarianism accords itself legitimacy by resurrecting ancient arguments in a subtly distorted manner. The exhaustive annotated bibliography of previous works about Bon, forming the second part of the work, can rightly be seen as a legacy of Gshen-chen. Both parts taken together make this an indispensable guide to any student of Bon.
Orgyan Chokyi (1675-1729) spent her life in Dolpo, the highest inhabited region of the Nepal Himalayas. Illiterate and expressly forbidden by her master to write her own life story, Orgyan Chokyi received divine inspiration to compose one of the most forthright and engaging spiritual autobiographies of the Tibetan literary tradition. Her life story is the oldest of only four Tibetan autobiographies authored by women. It is also a rare example of writing by a pre-modern Buddhist woman, and thus holds a unique place in Buddhist literature as a whole. Translator Kurtis Schaeffer prefaces the text with an illuminating study of the life and times of Orgyan Chokyi and an extended analysis of the hermitess's view of the relation between gender, suffering, and liberation. Based almost entirely on primary Tibetan documents never before translated, this fascinating book will be of interest to those studying Buddhism, gender and religion, and the culture of the Tibetan world.
"The real history of man is the history of religion." The truth of the famous dictum of Max Muller, the father of the History of Religions, is nowhere so obvious as in Tibet. Western students have observed that religion and magic pervade not only the forms of Tibetan art, politics, and society, but also every detail of ordinary human existence. And what is the all-pervading religion of Tibet? The Buddhism of that country has been described to us, of course, but that does not mean the question has been answered. The unique importance of Stephan Beyerís work is that it presents the vital material ignored or slighted by others: the living ritual of Tibetan Buddhists. The reader is made a witne...
Sangs rgyas bkra shis describes singing in a pastoral community in Mtsho sngon Province, China. Performances at weddings, family gatherings, neighborhood gatherings, and on the grassland while herding are richly contextualized. Musical instruments, what it means to be a singer, the worries of singing publicly, the introduction of electricity and cell phones and their impact on singing, singing competitions, generational preference for song types, recent prohibitions on alcohol consumption, and access to social media are examined. Musical notation, oral and literary texts, and English translation are given. Sang rgyas bkra shis’ BEING ANYTHING AND GOING ANYWHERE is a rich, vivid, and immensely informative account of songs and singing in Amdo. Written from personal experience but with a rigorous coverage and excellent illustration of music, texts, and contexts, this book is the next best thing to actually visiting Gcan tsha County. A beautiful and invaluable resource.--Anna Morcom, University of London
Tibetan language composition exercise for juvenile.