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Riff explores the turbulent life of the musician and poet Shake Keane who migrated from St Vincent to London in the 1950s where became a significant figure on the free form jazz scene and innovative poet. He returned home before moving to New York City. This biography reveals the many features of this trend-setting but troubled Caribbean icon.
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In The Angel Horn poems there is the inflectional spirit ... reciting intimate, national, universal, cross-fertilizing characteristics of history, rephrasing aspects of its impressionable nature into the melodious song of a lifetime. This history of Shake Keane does not lie. --Anastacia Larmoni.
A Magic Place Introduces Children To The Joy Of Reading Literature And Other Well-Loved Texts At School. The Appealing Layout And The Delightful Illustrations Enable Children To Understand And Appreciate A Wide Range Of Writing In English. A Magic Place Encourages Children To Read More.
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Vonnie Roudette has created a seminal work of Caribbean Nature writings revealing creative messages for community transformation through daily observation. Compiled largely from five-minute weekly radio commentaries that were aired in St. Vincent and the Grenadines on the WEFM Radio Viewpoint program between June 2004-June 2009, The Nature of Belonging is a Collection of Short Essays that are beautifully interspersed with Roudettes poetic drawings and meditations on Nature. Through The Nature of Belonging, Roudette seeks to facilitate personal healing from social and cultural programming through the practical application of resilient natural wisdom that nurtures cooperative relationships wit...
Challenging received ideas about the British Poetry Revival, Luke Roberts presents a new account of experimental poetry and literary activism. Drawing on a wide range of contexts and traditions, Living in History begins by examining the legacies of empire and exile in the work of Kamau Brathwaite, J. H. Prynne, and poets associated with the Communist Party and the African National Congress. It then focuses on the work of Linton Kwesi Johnson, Denise Riley, Anna Mendelssohn and others, in the development of liberation struggles around gender, race and sexuality across the 1970s. Tracking the ambivalence between poetic ambition and political commitment, and how one sometimes interferes with the other, Luke Roberts troubles the exclusions of 'British Poetry' as a category and tests the claims made on behalf avant-garde and experimental poetics against the historical record. Bringing together both major and neglected authorships and offering extended close readings, fresh archival research and new contextual evidence, Living in History is an ambitious and exciting intervention in the field.
This introduction to West Indian poetry is written for readers making their first approach to the poetry of the Caribbean written in English. It offers a comprehensive literary history from the 1920s to the 1980s, with particular attention to the relationship of West Indian poetry to European, African and American literature. Close readings of individual poems give detailed analysis of social and cultural issues at work in the writing. Laurence Breiner's exposition speaks powerfully about the defining forces in Caribbean culture from colonialism to resistance and decolonization.
Reggae's influence can be heard in the popular music of nations in a variety of continents. In Dubwise, Klive Walker takes a fresh look at Bob Marley's global impact, specifically his legacy in the Caribbean diaspora. While considering Marley's status as an international reggae icon, Walker also discusses the vital contributions to reggae culture authored by other important Jamaican innovators such as poet Louise Bennett, hand drummer Oswald ''Count Ossie'' Williams, jazz saxophonist Joe Harriott, ska trombonist Don Drummond and singer Dennis Brown.
The themes are universal - love, loss, resistance, hope. The voice is distinctly Caribbean. The result is a soulful collection laced with power. These poems reflect the writer's deep engagement with her society and her skill in peeling away its layers to expose the core. This is a distillation of everyday human experience, related in language that ranges from stark simplicity to intricate imagery. Throughout the entire book, the poet's touch is delicate but sure. "These poems are indeed sweet as honey and tart as lime, whether Carr is speaking about family - reminiscing about the son who is now a man, or reflecting on how she can no longer fit in her mother's lap both literally and symbolically - the poems reveal a poet's deft hand, gloved in care and love, that shimmers in the last section of the collection when the persona speaks uncensored in island tongue." Opal Palmer Adisa, author of Eros Muse and It Begins with Tears.