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An annotated bibliography of Mormon hymnbooks, songsters, broadsides and printed LDS music to 1872.
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Presents the work of the noted Mexican landscape architect Mario Schjetnan.
Tate and Snyders have used the design to make a civic language in a territory that is only just now reaching density of inhabitation sufficient to allow a particular identity to emerge.
Mario Schjetan is one of the world's most versatile and accomplished contemporary landscape architects -- a cosmopolitan designer who is also empathetically Mexican. His work has been influenced by Mexican art, by twentieth-century awareness, and by his friendships with modernist designers, including Luis Barragan, Max Cetto, and Mario Pani. He has worked on historic and modern sites, and has successfully adapted his work to the increasingly global demands on landscape design.
As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture their lives and their history. The daunting subject of race and ethnicity permeated life in America at the turn of the twentieth century and due to the effect of certain early films, specific television images, and an often-biased news media, it still plagues us today. As new technologies bring the power of the moving image to the masses, African Americans will shoot and edit on laptop computers and share their stories with a global audience via the World Wide Web. These independently produced visions will add to the diverse cache of Afr...
The study of anarchism as a philosophical, political, and social movement has burgeoned both in the academy and in the global activist community in recent years. Taking advantage of this boom in anarchist scholarship, Nathan J. Jun and Shane Wahl have compiled twenty-six cutting-edge essays on this timely topic in New Perspectives on Anarchism.