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Performing the Victorian: John Ruskin and Identity in Theater, Science, and Education by Sharon Aronofsky Weltman is the first book to examine Ruskin's writing on theater. In works as celebrated as Modern Painters and obscure as Love's Meinie, Ruskin uses his voracious attendance at the theater to illustrate points about social justice, aesthetic practice, and epistemology. Opera, Shakespeare, pantomime, French comedies, juggling acts, and dance prompt his fascination with performed identities that cross boundaries of gender, race, nation, and species. These theatrical examples also reveal the primacy of performance to his understanding of science and education. In addition to Ruskin on thea...
Draws together leading experts from a wide range of disciplines to analyse the life and work of John Ruskin (1819-1900).
Sophie Duncan illuminates iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and careers of the actresses who played them. Duncan draws on a wealth of archival material to explore the vital ways in which fin-de-siecle Shakespeare and Victorian theatre culture conditioned each other.
THE STORY: In early 1895, the Marquess of Queensberry, the father of Wilde's young lover, Lord Alfred Douglas, left a card at Wilde's club bearing the phrase posing somdomite. Wilde sued the Marquess for criminal libel. The defense denounced Wild
Despite the ridicule of reviewers, Marie Corelli (1855-1924) was the most popular novelist of her time. Federico (English, James Madison University) points out the creative, combative and contradictory nature of Corelli's participation in the culture, and argues that her attempts to create her own image illuminate continuing debates about literary value, class hegemony, and gender politics. Annotation copyrighted by Book News, Inc., Portland, OR
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Weiss (political science, Purdue U.) wades through the tangled prose and ideas of the 18th-century French philosopher to resolve some of his male-female role contradictions. She finds that his gender-based division of labor was designed to make everyone dependent on the whole society, rather than to relegate women to a subordinate role, but that the actual arrangements he suggests are based on a purely antifeminist culture. Annotation copyright by Book News, Inc., Portland, OR
Annotation The echoes of Victorian literature and culture impact contemporary practices and values, according to Krueger (English, Marquette U.). She presents 11 essays that address such issues as the problematics of temporality in the historiography of Victorian times, the reproduction of Victorian material culture for contemporary consumers, the use of Victorian cultural identities in fashioning today's identities, and the persistence of Victorian methods of legal and social discipline. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Performing the Victorian: John Ruskin and Identity in Theater, Science, and Education by Sharon Aronofsky Weltman is the first book to examine Ruskin's writing on theater. In works as celebrated as Modern Painters and obscure as Love's Meinie, Ruskin uses his voracious attendance at the theater to illustrate points about social justice, aesthetic practice, and epistemology. Opera, Shakespeare, pantomime, French comedies, juggling acts, and dance prompt his fascination with performed identities that cross boundaries of gender, race, nation, and species. These theatrical examples also reveal the primacy of performance to his understanding of science and education. In addition to Ruskin on thea...
A luminous drama about Wilde's wife's struggle for redemption. The play traces the hidden life of Constance Wilde. Her story explores the gender and sexuality of people who "belonged to the future," and untangles the shifting lines in the complex relationship between her, her husband, and his lover, Lord Alfred Douglas. Through a drama of magical transformations and mysterious, masked figures, set against the back-ground of one of the most notorious cases in British legal history, Kilroy divines the cost of the characters' conduct, Oscar's plea for salvation in Constance's eyes, and her heroic exertion to reclaim a state of grace.