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The Spanish Ballad in English
This study offers an introduction to an important branch of Spanish literature—the romance, or ballad. Although a great many of these poems have been translated into English by various authors, they are not generally known nor easily accessible. Collected here for the first time in a single volume is a broad and representative sampling of romances in translation that encompasses historical ballads (including those about Spain's greatest folk hero, el Cid), Moorish ballads, and ballads of chivalry, love, and adventure. For the collection, Shasta M. Bryant has written a perceptive commentary and critique in which he discusses the individual poems and compares the translation with the original; both texts are presented to facilitate comparison. For those who wish to pursue their reading further there is an index of romances that have been translated into English, along with the names of the translators. Although the text has been written with the non-specialist in mind, this book will be equally valuable for students of comparative literature and of medieval Spain.
Frontier Memory: Cultural Conflict and Exchange in the Romancero fronterizo.
Scholarship on the late medieval and early modern Castilian frontier ballad has tended to fall into two distinct categories: analyses which promote a view of the fronterizo corpus as an instrument of anti-Muslim, nationalist ideology in the service of the Christian Reconquest, or interpretations which favour the perception of the poems as idealizing and distinctly Islamophile in their representations of Granadan Muslims. In this study, Şizen Yiacoup offers readings of the romances fronterizos that take into consideration yet look beyond expressions of cross-cultural hostility or sympathy in order to assess the ways in which the poems recall a process of cultural exchange between Christians ...
Cervantes in Algiers
Returning to Spain after fighting in the Battle of Lepanto and other Mediterranean campaigns against the Turks, the soldier Miguel de Cervantes was captured by Barbary pirates and taken captive to Algiers. The five years he spent in the Algerian bagnios or prison-houses (1575-1580) made an indelible impression on his works. From the first plays and narratives written after his release to his posthumous novel, the story of Cervantes's traumatic experience continuously speaks through his writings. Cervantes in Algiers offers a comprehensive view of his life as a slave and, particularly, of the lingering effects this traumatic experience had on his literary production. No work has documented in...
Spain and Its Literature
Besides an Introduction, Bibliography and "Centenary Reappraisal", eighteen original articles by respected Hispanists from Britain, Spain and the United States have been collected in this homage volume. A high proportion of articles reflect Peers’ major interests in mysticism and the Romantic Movement. Part I, From the Middle Ages to the Siglo de Oro, includes essays that deal with Francisco de Osuna’s "higher memory", the "Dark Night" of San Juan de la Cruz, Judaeo-Islamic traditions in Luis de León and Miguel de Molinos’ Spiritual Guide. Part II, From the Dawn of Romanticism to the Twentieth Century, contains articles concerned with writers, works or themes as: Sánchez’s Colección and Percy’s Reliques, Rivas and tragedy, El moro expósito, Gustavo Adolfo Bécquer, Victor Hugo and "La Nonne sanglante". An article, dealing comparatively with Goytisolo and Zorrilla, which provides "A Missing Link in the Dis-affiliation of a Post-Romantic Expatriate in Revolt?" aptly concludes the volume.
Medieval Christian Perceptions of Islam
For medieval Christians, Islam presented a series of disquieting challenges, and individual Christians portrayed Muslim culture in varied ways, according to their interests and prejudices. These fifteen original essays focus on unfamiliar texts that reflect the wide range of medieval Christianity's preoccupation with Islam, treating works from many different periods and in a wide range of genres and languages.
A History of the Spanish Novel
A History of the Spanish Novel is the only volume in English that offers comprehensive coverage of the history of the Spanish novel, from the sixteenth century to the present day, with chapters written by some of the world-leading experts in the field.
Refiguring Authority
In this wide-ranging study E. Michael Gerli shows how Cervantes and his contemporaries ceaselessly imitated one another—glossing works, dismembering and reconstructing them, writing for and against one another—while playing sophisticated games of literary one-upmanship. The result was that literature in late Renaissance Spain was often more than a simple matter of source and imitation. It must be understood as a far more subtle, palimpsest-like process of forging endless series of texts from other texts, thus linking closely the practices of reading, writing, and rewriting. Like all major writers of the age, Cervantes was responding not just to specific literary traditions but to a broad...
Hercules and the King of Portugal
Hercules and the King of Portugal investigates how representations of masculinity figure in the fashioning of Spanish national identity, scrutinizing ways that gender performances of two early modern male icons—Hercules and King Sebastian—are structured to express enduring nationhood. The classical hero Hercules features prominently in Hispanic foundational fictions and became intimately associated with the Hapsburg monarchy in the early sixteenth century. King Sebastian of Portugal (1554–78), both during his lifetime and after his violent death, has been inserted into his own land’s charter myth, even as competing interests have adapted his narratives to promote Spanish power. The h...
Army Politics in Cuba, 1898-1958
Louis A. Perez examines the founding of the national army in Cuba, the rise and fall of Cuban army preeminence during the Machado regime, the bizarre army seizure of power in 1933, which resulted in the collapse of the officer corps, and follows the dominance of the army until the revolution of 1958. He shows that the Cuban political order rested on the stability of the army, which itself grew increasingly estranged from national traditions and eventually became the tool of a clique of political leaders, only to fall to rebel forces during the revolution.
