You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"Our voices scrubbed out and forgotten. There are those who research and write about sex workers who often forget we are human."- Amy Lebovitch Canadian cities are striving for high safety ratings by eliminating crime, which includes "cleaning" urban areas of the street sex industry. Ironically, those same sex workers also want to live and work in a safe environment. Shawna Ferris interrogates sanitizing political agendas, analyzes exclusionary legislative and police initiatives, and examines media representations. She gives a voice to sex workers who are often pushed to the background, even by those who fight for them. In the name of urban safety and orderliness, street sex workers face stigma, racism, and ignorance. Their human rights are ignored, and some even lose their lives. Ferris aims to reveal the cultural dimensions of this discrimination through literary and art-critical theory, legal and sociological research, and activist intervention. This book has much to offer to educators and activists, sex workers and anti-violence organizations, and academics studying women, cultural, gender, or indigenous issues.
Heffernan uses modernist and post-modernist novels as evidence of the diminished faith in the existence of an inherently meaningful end.
Feminist scholars write about the dynamic ways they reach beyond academia to engage broader communities
This book contains the first and second volume papers from the 8th International Conference on the History of Records and Archives (I-CHORA 8). Contributors present articles that propose new solutions and aspirations for a new era in the technology of archives and recordkeeping. Topics cover rethinking the role played by archivists, and reframing recordkeeping practices that focus on the rights of the subjects of the records. This text appeals to students, researchers and professionals in the field. Previously published in: Archival Science: "Special Issue: Archives in a Changing Climate - Part I" and "Archives in a Changing Climate - Part II" Chapter "Displaced archives": proposing a research agenda is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
"Fifth Business and Alligator Pie. Stephen Leacock, Grey Owl, and Morley Callaghan: these treasured Canadian books and authors were all nurtured by the Macmillan Company of Canada, one of the country's foremost twentieth-century publishing houses. The Literary Legacy of the Macmillan Company of Canada is a unique look at the contribution of publishers and editors to the formation of the Canadian literary canon. Ruth Panofsky's study begins in 1905 with the establishment of Macmillan Canada as a branch plant to the company's London office. While concentrating on the firm's original trade publishing, which had considerable cultural influence, Panofsky underscores the fundamental importance of educational titles to Macmillan's financial profile. The Literary Legacy of the Macmillan Company of Canada also illuminates the key individuals -- including Hugh Eayrs, John Gray, and Hugh Kane -- whose personalities were as fascinating as those of the authors they published, and whose achievements helped to advance modern literature in Canada."--Publisher's website.
Suzanne Rintoul identifies an important contradiction in Victorian representations of abuse: the simultaneous compulsion to expose and to obscure brutality towards women in intimate relationships. Through case studies and literary analysis, this book illustrates how intimate violence was both spectacular and unspeakable in the Victorian period.
Artistic Bedfellows is an international interdisciplinary collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. This collection examines the field of collaborative art broadly, while asking specific questions with regard to the issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration. The diversity of approach is needed in the current multimedia and cross disciplinarily world of art. This reader is designed to stimulate thought and discussion for anyone interested in this growing field and practice.
In Humanities Perspectives in Peace Education: Re-Engaging the Heart of Peace Studies, scholar-teachers across a variety of humanities fields explore the content, methods, and pedagogies that are unique to their respective disciplines in contributing to the study of peace and justice. In recent decades, even as peace scholarship has burgeoned, many peace studies texts—including those that purport to be interdisciplinary in nature—have emphasized social science perspectives and, in some cases, have foregone exploration of the role of the humanities altogether in comprehensive peace education. While humanities scholars continue to stake out space for peace scholarship within their fields, ...
Roisin Cossar examines how clerics managed efforts to reform their domestic lives in the decades after the Black Death. Despite reformers’ desire for clerics to remain celibate, clerical households resembled those of the laity, and priests’ lives included apprenticeships in youth, fatherhood in middle age, and reliance on their families in old age.
In the decades before history was institutionalized as a scholarly discipline, historical writing was practiced variously by poets, record keepers, lawyers, sermonizers, mythologizers, and philosophers. In this welter of competing forms of historical thought, early modern drama often operated as a site in which claims about the nature of historical change could be treated in a frequently conflicting manner. To explore this arena of competing forms of historical explanation, Untimely Deaths in Renaissance Drama focuses on the problem of narrative abruption in a selection of historically minded early modern plays as they rely on various strategies to make sense of biography and fatality. Arguing that narrative forms fail in the face of untimely death, Andrew Griffin shows that the disruption appears as a matter of trauma, making the untimely death both a point of narrative conflict and a social problem. Exploring the formula that early modern dramatists used to make sense of life and death, this book draws on the wider context of this period's culture of historical writing.