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Buku ini hadir sebagai bahan cerminan kehidupan manusia dengan membagi berbagai pengalaman berkesannya. Diambil dari cerita para penulis, yang menuliskan pengalaman-pengalamannya disertai dengan adanya makna dasar ilmu pengetahuan disetiap perjalanan masing-masing hidupnya. My Experience is My Knowladge dirangkum dengan pengalaman-pengalaman berharga dan tuntutan ilmu yang bermanfaat bagi para penulis, sehingga menjadikan ini sebagai coretan kisah pengalaman yang menarik untuk dibaca. Buku ini dibuat untuk membangun cara berpikir dan cara merangkai suatu pengalaman indah pembaca, dengan sebuah coretan atau tulisan dan mendasari diri bahwa sebuah pengalaman berharga itu tidak datang diwaktu y...
"Praised by the New York Times as "a highly important exhibition book," this lavishly produced catalog reproduces illustrated texts from the groundbreaking exhibition at the Arthur M. Sackler Gallery. Called "fabulous" by the Washington Post, Falnama was the first show of its kind dedicated to the art of divination in the Islamic world. The Falnama were brilliantly painted compositions created in Safavid Iran and Ottoman Turkey in the sixteenth and early seventeenth centuries. Falnama: The Book of Omens combines rare images with scholarly texts on the deeper meaning of dreams, omens, and divination. Featured in this first publication ever devoted to the Falnama as a genre are intact volumes as well as text folios and illustrations now dispersed among international public and private collections. Essays by scholars of Safavid, Ottoman, and Byzantine history and language, complemented by full-color illustrations, offer detailed analysis of the form, content, and meaning of these rarely seen works of art. The first-ever translations of three of the four monumental copies provide insight into a vivid and enduring aspect of human concern--the unknown."--Publisher's website.
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book m...
Adejumobi (history, Seattle U.) describes the history of Ethiopia for students and lay readers, devoting a large section to contemporary issues. The book includes an introductory overview of the country's geography, political institutions, economic structure, and culture. It explores shifting global and local power configurations from the late nineteenth century to the twentieth and related implications in Ethiopia and the Horn of Africa region, in addition to how the country sustained resources while involved with international, regional, and local politics. The country's independence, and social, political, and economic reforms are also discussed. Biographical sketches of important individuals are included.
After a century of ruling Hell, the devil's daughter, Cecilia Harrow, escapes the confines of the underworld seeking safety and a normal life.
snip snap! SNIP SNAP! SNIP SNAP! What's that? And what will the children do once they find out?
This is the first systematic examination of the esoteric significance of the bawdy tales and explicit sexual passages present in Rūmī’s (d. 1273) Mathnawī, a masterpiece of medieval Perso-Islamic mystical literature and theosophic teachings. Using the relevant features of postmodern theories as strategic conceptual tools, and drawing on the recent interpretations of medieval kabbalistic texts, it is a fascinating examination of the link between the dynamics of eroticism and esotericism operative in Rūmī’s Mathnawī. In some of these bawdy tales, the phallus is used as an esoteric symbol. The book concludes that these tales are used primarily to communicate esoteric secrets, particularly when this communication is contemplated along gender lines, mediated through erotic imagery, or expressed in sexual terms.
The brand new series, perfect for fans of DOWNTON ABBEY, from the author of the hugely successful MORLAND DYNASTY novels Behind the doors of the magnificent Ashmore Castle, secrets are waiting to be uncovered . . . 1901. When the Earl of Stainton dies in a tragic hunting accident, Giles, the eldest son of the noble Tallant family, must step forward to replace him as the head of the family. But Giles has avoided the Castle and his stifling relatives for years, deciding instead to forge his own path away from the spotlight. Now, he must put aside his ambitions and honour his duty to the family. With their world upended, the Tallants and their servants struggle to find their place in the house ...
From the Tooth Fairy to the Rolling Calf and El Ratón Miguelito—an illustrated look at what kids around the world do when they lose baby teeth. What do you do when you lose a tooth? Do you put it under your pillow and wait for the tooth fairy? Not if you live in Botswana! In Botswana, children throw their teeth onto the roof. In Afghanistan, they drop their teeth down mouse holes, and in Egypt, they fling their teeth at the sun! Travel around the world and discover the surprising things children do when they lose a tooth. Selby B. Beeler spent years collecting traditions from every corner of the globe for this whimsical book, and illustrator G. Brian Karas adds to the fun, filling every page with humorous detail. He perfectly captures the excitement and pride that children experience when a tooth falls out. Praise for Throw Your Tooth on the Roof “This book will be an eye-opener for young Americans who may have assumed that the Tooth Fairy holds a worldwide visa.” —Publishers Weekly “Karas’s illustrations, including his map, are deliberately lighthearted and make people the world over look uniformly friendly. A charming debut.” —Kirkus Reviews
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