You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
On the Alps, two schoolteachers discover a gruesome sight - the corpse of a murdered man. How the corpse came to be there is the story of Rex Buchanan and his wife Paula. Rex, a pulp fiction author, comes home one day eager to tell Paula about a fantastic plot for his next novel, THE BALLAD OF THE RUNNING MAN. A man insures his life, and with the aid of his wife pretends to fall ill and eventually 'dies' - but Rex wants them to act it out in real life...
"Smith-Acuña illuminates the structural hierarchy, roles, and boundaries that give a system structure. The relationship between parts and wholes is both simple and profound, and particularly important in looking at systems structure. These morsels of wisdom are good examples of Smith-Acuña's grace as a systems theory tour guide: one moment she's digging deeper into the nuances among the theories, the next moment she's simplifying without dumbing down, but in a manner that is enormously liberating. We enjoy the fun, full, and informed journey with her." Frank S. Pittman III, MD A practical presentation of systems theory as a fundamental model for clinical practice Valuable for seasoned ment...
None
Sitting on pins and needles, anxiously waiting to see what will happen next, horror audiences crave the fear and exhilaration generated by a terrifying story; their anticipation is palpable. But they also breathe a sigh of relief when the action is over, when they are able to close their books or leave the movie theater. Whether serious, kitschy, frightening, or ridiculous, horror not only arouses the senses but also raises profound questions about fear, safety, justice, and suffering. From literature and urban legends to film and television, horror’s ability to thrill has made it an integral part of modern entertainment. Thomas Fahy and twelve other scholars reveal the underlying themes o...
Revised to reflect critical trends of the past 15 years, the third iteration of this widely adopted critical edition presents the 1831 text of Mary Shelley’s English Romantic novel along with critical essays that introduce students to Frankenstein from contemporary psychoanalytic, Marxist, feminist, gender/queer, postcolonial, and cultural studies perspectives. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms. In the third edition, three of the six essays are new, representing recent gender/queer, postcolonial, and cultural theories. The contextual documents have been significantly revised to include many images of Frankenstein from contemporary popular culture.
This study focuses on the entirety of Mary Shelley's work, rather than simply discussing Frankenstein. It opens with a biographical chapter, then covers Shelley's work in poetry and drama: Frankenstein and The Last Man as protoscience fiction; historical fiction and tales; non-fiction and literary criticism; domestic sentimental fiction; and travel writing. It sets these works within the cultural context of the politics, sexual politics, and transformation of genres in nineteenth century Britain, and establishes Mary Shelley as a major literary figure who excelled in a variety of genres.
Covers receipts and expenditures of appropriations and other funds.
Petting Tigers is not a gritty, edgy "trauma memoir." Nor is it a shocking expose of a corrupt religious sect. It is the story of what can happen when a child's dreams are stolen, and the agonizing experience of watching as one's own light is snuffed out. It's about having one's mind washed away and replaced with hypnotic rote beliefs that are self-destructive and make no sense in the real world.Petting Tigers is a story about overcoming huge obstacles when you think you have no resources, internal or external to do so - and about reclaiming your life when everything around you tells you that it's too late. Petting Tigers is about imagining and achieving a way out and the slow, clumsy steps that inevitably follow a rebirth.
None