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Reclaiming and Redefining American Exhibitions of Russian Art
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
História, Empresas, Arqueologia Industrial e Museologia
A presente obra é composta por um conjunto vasto de textos que, apesar da sua heterogeneidade teórica e temática, sustenta a sua unidade no facto de todos os trabalhos incidirem sobre regionalidades historiográficas da Época Contemporânea — a teoria da história, a história empresarial, a arqueologia industrial, a didática da história, o património cultural e a museologia —, mas também por procurar refletir muitas das principais áreas de investigação e de divulgação do historiador e professor José M. Amado Mendes. O facto de os coordenadores e os autores do livro serem discípulos, colegas e amigos do Doutor José M. Amado Mendes e, naturalmente, também bons conhecedore...
Your Colossal Main Feature Plus Full Support Program
Remember the days when a night at the movies comprised a full three to four hours of varied entertainment? The attraction was not just the colossal main feature, but the supporting program: the newsreel, the cartoon, the shorts and the before-interval picture or "B" feature. Here's a book where you can re-live those wonderful times. No less than 140 varied features (from Hollywood's main studios to Poverty Row) are discussed, all with full cast and technical credits plus other background information. And to round the book out, I've also included 28 cartoons and 9 shorts!
The Long Night
Ernst Israel Bornstein had been eighteen when his world collapsed; youthful adaptability, self-possession and above all, luck, combined to preserve his husk in seven work camps which might have been modeled on the sequence of Dante's circles of hell.
Social Register, Philadelphia
Includes "Dilatory domiciles"; for some volumes, some of these updates are issued separately as supplements.
Frederick Kiesler
The material for this book has been taken from the 2006 thesis, Frederick Kiesler’s Art of This Century in New York, (1942-1947), in the Context of the Twentieth Century Art Museum. The prime objective was to establish why so few people remember Art of This Century, which Kiesler designed for Peggy Guggenheim in 1942, and she ruthlessly closed in 1947. A second aim was to investigate why there has been so research carried out on the Gallery, when it was acknowledged as a work of art in its own right at the time of opening. Indeed, in 2004 Thomas Krens, the Guggenheim Foundation’s director expressed concern that due to the lack of research it might slip into oblivion. Such a statement rai...
Eight Hours from England
Autumn 1943. Realising his feelings for his sweetheart are not reciprocated, Major John Overton accepts a posting behind enemy lines in Nazi-occupied Albania. Arriving to find the situation in disarray, Overton attempts to overcome geographical challenges and political intrigues to set up a new camp in teh mountains overlooking the Adriatic. As he struggles to complete his mission amidst a chaotic backdrop, Overton is left to ruminate on loyalty, comradship and the futility of war.
