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Anarchist Modernity
"Mid-nineteenth century Russian radicals who witnessed the Meiji Restoration saw it as the most sweeping revolution in recent history and the impetus for future global progress. Acting outside imperial encounters, they initiated underground transnational networks with Japan. Prominent intellectuals and cultural figures, from Peter Kropotkin and Lev Tolstoy to Saigo Takamori and Tokutomi Roka, pursued these unofficial relationships through correspondence, travel, and networking, despite diplomatic and military conflicts between their respective nations. Tracing these non-state networks, Anarchist Modernity uncovers a major current in Japanese intellectual and cultural life between 1860 and 19...
The Treaty of Portsmouth and Its Legacies
The latest, probing look at the 1905 Portsmouth Peace Treaty, the last peace agreement between Japan and Russia
Japan's Russia
"The Russian cultural presence in Japan after the Meiji Revolution was immense. Indeed, Japanese cultural negotiations with Russian intellectuals and Russian literature, art, theology and political thought, formed an important basis for modern Japanese transnational intellectual, cultural, literary, and artistic production. And yet, despite the depth and range of "Japan's Russia," this historical phenomenon has been markedly neglected in our studies of modern Japanese intellectual life. This absence may be attributed to the fact that "Japan's Russia" as an idea and a cultural expression developed outside the logic of Western modernity. There has been an interconnected logic behind this ignor...
Converting Cultures
This volume considers the concept of conversion as a tool for understanding transformations to modernity. It examines conversions to modernity within the Ottoman domain, India, China, and Japan as a reaction to the pressures of colonialism and imperialism.
Prisoners of the Empire
A pathbreaking account of World War II POW camps, challenging the longstanding belief that the Japanese Empire systematically mistreated Allied prisoners. In only five months, from the attack on Pearl Harbor in December 1941 to the fall of Corregidor in May 1942, the Japanese Empire took prisoner more than 140,000 Allied servicemen and 130,000 civilians from a dozen different countries. From Manchuria to Java, Burma to New Guinea, the Japanese army hastily set up over seven hundred camps to imprison these unfortunates. In the chaos, 40 percent of American POWs did not survive. More Australians died in captivity than were killed in combat. Sarah Kovner offers the first portrait of detention i...
The Russian Kurosawa
The Russian Kurosawa offers a new historical perspective on the work of the renowned Japanese film director Akira Kurosawa. It uncovers Kurosawa's debt to the intellectual tradition of Japanese-Russian democratic dissent, reflected in the affinity for Kurosawa's worldview expressed by such Russian directors as Grigory Kozintsev and Andrei Tarkovsky. Through a detailed discussion of the Russian subtext of Kurosawa's cinema, most clearly manifested in the director's films based on Dostoevsky, Tolstoy, Gorky, and Arseniev, the book shows that Kurosawa used Russian intertexts to deal with the most politically sensitive topics of postwar Japan. Locating the director in the cultural tradition of Russian-inflected Japanese anarchism, the book challenges prevalent views of Akira Kurosawa as an apolitical art house director or a conformist studio filmmaker of muddled ideological alliances by offering a philosophically consistent picture of the director's participation in postwar debates on cultural and political reconstruction.
Past Progress
While anxiety abounds in the old Cold War West that progress – whether political or economic – has been reversed, for citizens of former-socialist countries, murky temporal trajectories are nothing new. Grounded in the multiethnic frontier town of Hunchun at the triple border of China, Russia, and North Korea, Ed Pulford traces how several of global history's most ambitiously totalizing progressive endeavors have ended in cataclysmic collapse here. From the Japanese empire which banished Qing, Tsarist, and Choson dynastic histories from the region, through Chinese, Soviet, and Korean socialisms, these borderlands have seen projections and disintegrations of forward-oriented ideas accumul...
The Narrow Cage and Other Modern Fairy Tales
Vasily Eroshenko was one of the most remarkable transnational literary figures of the early twentieth century: a blind multilingual Esperantist from Ukraine who joined left-wing circles in Japan and befriended the famous modernist writer Lu Xun in China. Born in a small Ukrainian village in imperial Russia, he was blinded at a young age by complications from measles. Seeking to escape the limitations imposed on the blind, Eroshenko became a globe-trotting storyteller. He was well known in Japan and China as a social activist and a popular writer of political fairy tales that drew comparisons to Hans Christian Andersen and Oscar Wilde. The Narrow Cage and Other Modern Fairy Tales presents a s...
Art and Engagement in Early Postwar Japan
No detailed description available for "Art and Engagement in Early Postwar Japan".
A Post-Western Account of Critical Cosmopolitan Social Theory
In this book, Michael Murphy argues that if cosmopolitanism is to remain critical and relevant, rather than set out another grand project, what is required is a process of critique and cooperation. At the level of inter-cultural exchange, this requires understanding the encounter with the Other as a mutual phase of development and holds out the potential to rejuvenate world philosophies.Through this process the cosmopolitan imagination emerges from a dialogue between global traditions of relational sociologies on matters of common concern. The second stage of the book applies this methodology to provide a radical account of being and acting in the world. This will be achieved through engagin...
