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Vasily Eroshenko was one of the most remarkable transnational literary figures of the early twentieth century: a blind multilingual Esperantist from Ukraine who joined left-wing circles in Japan and befriended the famous modernist writer Lu Xun in China. Born in a small Ukrainian village in imperial Russia, he was blinded at a young age by complications from measles. Seeking to escape the limitations imposed on the blind, Eroshenko became a globe-trotting storyteller. He was well known in Japan and China as a social activist and a popular writer of political fairy tales that drew comparisons to Hans Christian Andersen and Oscar Wilde. The Narrow Cage and Other Modern Fairy Tales presents a s...
"It is generally believed that Mao Zedong’s populism was an abrupt departure from traditional Chinese thought. This study demonstrates that many of its key concepts had been developed several decades earlier by young May Fourth intellectuals, including Liu Fu, Zhou Zuoren, and Gu Jiegang. The Chinese folk-literature movement, begun at National Beijing University in 1918, changed the attitudes of Chinese intellectuals toward literature and toward the common people. Turning their backs on “high culture” and Confucianism, young folklorists began “going to the people,” particularly peasants, to gather the songs, legends, children’s stories, and proverbs that Chang-tai Hung here describes and analyzes. Their focus on rural culture, rural people, and rural problems was later to be expanded by the Chinese Communist revolutionaries."
2008 — Gold Award in Californiana – California Book Awards – Commonwealth Club of California 2010 — NACCS Book Award – National Association for Chicana and Chicano Studies City plazas worldwide are centers of cultural expression and artistic display. They are settings for everyday urban life where daily interactions, economic exchanges, and informal conversations occur, thereby creating a socially meaningful place at the core of a city. At the heart of historic Los Angeles, the Plaza represents a quintessential public space where real and imagined narratives overlap and provide as many questions as answers about the development of the city and what it means to be an Angeleno. The a...
The Collectivity of Life is a study of autobiographical writing and oral histories situated in the late twentieth century United States. The central thesis is that by studying how the authors of these narratives articulate space in their stories, we can uncover a recurring critique of meritocratic individualism and reconstruct a counter-mythology that locates social mobility in collectivist experiences. Fourteen autobiographical works are studied, including those of Malcolm X, Audre Lorde, Barack Obama, and numerous other from multiple ethnic and several regions of the U.S., ranging from 1964 through 2008. More than 40 oral histories housed in archives in several regions of the country help to establish the book’s goal. By using a concept of space, this book shifts the focus of personal narrative from the internal resources of the individual to networks of support and collective efforts in the formation of their identities and the basis of their life accomplishments.
This volume looks at the history of Japan from a transnational perspective. It brings to the fore the interconnectedness of Japan's history with the wider Asian-Pacific region and the world. This interconnectedness is examined in the volume through the themes of empire, migration, and social movements.
Korean writer Ch’oe Myŏngik was a lifelong resident of Pyongyang, a city his short stories masterfully evoke in exquisite modernist prose. His career spanned decades of tumult, from his debut in the 1930s while Korea was under Japanese colonial rule through the Asia-Pacific and Korean Wars and the early years of the Democratic People’s Republic. As Pyongyang transformed from Korea’s second city, peripheral to the Seoul-centered literary scene, into a socialist capital in the late 1940s, Ch’oe briefly ascended to the center of North Korean culture. Despite the vitality and originality of Ch’oe’s writing, Cold War politics and censorship, including South Korea’s anticommunist la...
A Book of European Writers A-Z By Country Published on June 12, 2014 in USA.
"Here at last is an accurate and enjoyable rendering of Lu Xun's fiction in an American English idiom that masterfully captures the sardonic wit, melancholy pathos, and ironic vision of China's first truly modern writer." -Michael S. Duke, University of British Columbia The inventor of the modern Chinese short story, Lu Xun is universally regarded as twentieth century China’s greatest writer. This long awaited volume presents new translations of all Lu Xun’s stories, including his first, “Remembrances of the Past,” written in classical Chinese. These new renderings faithfully convey both the brilliant style and the pungent expression for which Lu Xun is famous. Also included are a substantial introduction by the translator and sufficient annotation to make the stories fully accessible, enabling readers approaching Lu Xun for the first time to appreciate why these stories occupy a permanent place not only in Chinese literature but in world literature as well.
This book introduces the major works and debates in Chinese children's literature within the framework of China's revolution and modernization. It demonstrates that the guiding rationale in children's literature was the political importance of children as the nation's future.
Assembles biographical stories of famous leaders and unknown activists, covering the 18th century up to 1970. Relates to enslaved artisans, interracial unionism, immigration, Jewish radicalism and gender, the New Black Politics, reverse migration in World War II, the United Farm Workers Union, etc.