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The Shot Tower
  • Language: en

The Shot Tower

  • Type: Book
  • -
  • Published: 1940
  • -
  • Publisher: Unknown

The Baltimore shot tower.

SoulStirrers
  • Language: en
  • Pages: 177

SoulStirrers

  • Categories: Art

In SoulStirrers, H. Ike Okafor-Newsum describes the birth and development of an artistic movement in Cincinnati, Ohio, identified with the Neo-Ancestral impulse. The Neo-Ancestral impulse emerges as an extension of the Harlem Renaissance, the Negritude Movement, and the Black Arts Movement, all of which sought to re-represent the “primitive” and “savage” Black and African in new terms. Central to the dominant racial framework has always been the conception that the Black subject was not only inferior, but indeed incapable of producing art. The Neo-Ancestral impulse posed a challenge to both existing form and content. Like its intellectual antecedents, the movement did not separate ar...

Birds in Art
  • Language: en
  • Pages: 132

Birds in Art

  • Type: Book
  • -
  • Published: 1999
  • -
  • Publisher: Unknown

None

Who's Who in American Art
  • Language: en
  • Pages: 1538

Who's Who in American Art

  • Categories: Art

None

The Artists Revealed
  • Language: en
  • Pages: 34

The Artists Revealed

  • Type: Book
  • -
  • Published: 1989
  • -
  • Publisher: Unknown

None

New American Paintings
  • Language: en
  • Pages: 370

New American Paintings

  • Type: Book
  • -
  • Published: 2009
  • -
  • Publisher: Unknown

None

Who's Who in American Art
  • Language: en
  • Pages: 1608

Who's Who in American Art

None

Ceramics Monthly
  • Language: en
  • Pages: 600

Ceramics Monthly

  • Type: Book
  • -
  • Published: 2004-06
  • -
  • Publisher: Unknown

None

Dialogue
  • Language: en
  • Pages: 418

Dialogue

  • Categories: Art
  • Type: Book
  • -
  • Published: 2003
  • -
  • Publisher: Unknown

None

SoulStirrers
  • Language: en
  • Pages: 301

SoulStirrers

  • Categories: Art

In SoulStirrers, H. Ike Okafor-Newsum describes the birth and development of an artistic movement in Cincinnati, Ohio, identified with the Neo-Ancestral impulse. The Neo-Ancestral impulse emerges as an extension of the Harlem Renaissance, the Negritude Movement, and the Black Arts Movement, all of which sought to re-represent the “primitive” and “savage” Black and African in new terms. Central to the dominant racial framework has always been the conception that the Black subject was not only inferior, but indeed incapable of producing art. The Neo-Ancestral impulse posed a challenge to both existing form and content. Like its intellectual antecedents, the movement did not separate ar...