You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Four Soliloquies have been handed down as a collection of the most ancient monologue farces in classical Sanskrit.
This book chronicles the story of love which is considered an Indian creation. The first love story of the world was found in the Rig Veda and the first comprehensive work on love was written in India with Kamasutra becoming one of its offshoots. Love techniques were perfected over centuries and sculpted on the walls of temples of Khajuraho and Konarak. Since ancient times, rishis in India have believed that it was love which came first and then followed the world. The origin and evolution of love in India is traced by the author in an elaborate manner, providing invaluable insights which make this book a rare treasury in itself. The book draws from concrete sources including cave paintings, ancient archaeological findings and a mass of literature belonging to the Vedic and Buddhist eras to give a complete portrayal of love. Through love lyrics, humorous plays and erotic descriptions, Love in Ancient India takes you through a timeless saga of royalty and grandeur, beauty and infidelity, all of which are interspersed with the concept of the world’s most bewitching expression - love.
Traces The Journey Of The Land And People From Ancient To The Modern Day. Captures The Factors For The Decline Of Kashmiri Civilization From Glory To The Present State Of Murder And Repire. The Author Hopes The Worst Is Over And The Old Practices Of Kashmiriyat Will Return.
This book deals with various aspects of performance in India; especially that related to dance and dance-drama. Rather than being a description of the various dance forms of India, it attempts to discuss the social equations and cultural ideas that a performance attempts to portray. In this sense, a performance is a narrative. At the same time, performances also deal with well-known narratives from the religious traditions of India, often redefining and recounting them in the process of performance. A study of these aspects is important to understand the kind of equations that define these discourses on the performance narratives. Chapter I shows the different forms of dances that are descri...
This Monograph, First Of Its Kind, Surveys The Female Sculptures Created By Indian Artists Through Centuries, From An Ancient Era Of Indus Valley Civilization To Medieval Times. Archaeological Data Is Interpretd In The Light Of Literary And Cultural Traditions Of India. Various Images The Sculptors Conceived Of Her As Mother Doddess, Yakshi, Devangana And Surasundari, Lover Par Excellemce, One As Fond Of Wine , Dance And Musaic, Shrinagara Nayika, Paragon Of Beauty And Inerllect And Also Embodiment Of Forces Of Death And Destruction, And Made Into Sculptures, Are Described Here In Very Lucid Language, To Give The Readers An Insight Into Indian Art.
On Śudraka, Sanskrit dramatist.
Drawing on a rich variety of premodern Indian texts across multiple traditions, genres, and languages, this collection explores how emotional experience is framed, evoked, and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading scholars of Indian traditions showcases the literary texture, philosophical reflections, and theoretical paradigms that classical Indian sources provide in their own right. The focus is on how the texts themselves approach those dimensions of the human condition we may intuitively think of as being about emotion, without pre-judging what that might be. The resul...