Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
On Alberti and the Art of Building
Leon Battista Alberti (1404-72) - writer, painter and sculptor, mathematician and, most famously, architectural theorist and architect - came closer than anyone to the Renaissance ideal of the 'complete man'. Recognised by his contemporaries as an extraordinary person, he helped to shape, through his writings and his practical example in the arts, the way in which the natural and artificial world was perceived and represented during the Renaissance.
From Signs to Design
Applying the latest practices from critical theory and discourse to the builtenvironment of early Renaissance Rome, Charles Burroughs sees the city as a field of visualcommunication and rhetoric. He explores the symbolic dimension of the cultural landscape and theoperation of architectural and other visual signs in the urban environment. The result is a profoundreconceiving of the implications for the study of Renaissance Rome of the notion of the city as"text." Central to Burrough's project is the articulation of a model of cultural mediation andproduction that is distinct from the standard notion of patronage as a unilateral transaction.On onelevel From Signs to Design focuses on the produ...
Pagan Virtue in a Christian World
In 1462 Pope Pius II performed the only reverse canonization in history, publicly damning a living man. The target was Sigismondo Malatesta, Lord of Rimini and a patron of the arts with ties to the Florentine Renaissance. Condemned to an afterlife of torment, he was burned in effigy in several places in Rome. What had this cultivated nobleman done to merit such a fate? Pagan Virtue in a Christian World examines anew the contributions and contradictions of the Italian Renaissance, and in particular how the recovery of Greek and Roman literature and art led to a revival of pagan culture and morality in fifteenth-century Italy. The court of Sigismondo Malatesta (1417–1468), Anthony D’Elia s...
The Architect
The Architect traces the role of the profession across the centuries and in different cultures, showing the architect both as designer and as mediator between the client and the builder.
Management and Resolution of Conflict and Rivalries in Renaissance Europe
This is the third and final volume of essays issuing from the Leverhulme International Network 'Renaissance Conflict and Rivalries: Cultural Polemics in Europe, c. 1300–c. 1650'. The overall aim of the network was to examine the various ways in which conflict and rivalries made a positive contribution to cultural production and change during the Renaissance. The present volume, which contains papers delivered at the third colloquium, draws that examination to a close by considering a range of different strategies deployed in the period to manage conflict and rivalries and to bring them to a positive resolution. The papers explore these developments in the context of political, diplomatic, social, institutional, religious, and art history.
History of Italian Renaissance Art
For survey courses in Italian Renaissance art. A broad survey of art and architecture in Italy between c. 1250 and 1600, this book approaches the works from the point of view of the artist as individual creator and as an expression of the city within which the artist was working. History of Italian Renaissance Art, Seventh Edition, brings you an updated understanding of this pivotal period as it incorporates new research and current art historical thinking, while also maintaining the integrity of the story that Frederick Hartt first told so enthusiastically many years ago. Choosing to retain Frederick Hartt's traditional framework, David Wilkins' incisive revisions keep the book fresh and up-to-date.
The Court Cities of Northern Italy
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
Pragmatism and Modern Architecture
Architecture is not origami. A drawing cannot be folded in a clever way to make a real building. A picture of a building is no more architecture than a drawing of a sculpture is the sculpture. To exist, the building must be built. A building is the outcome of an idea. Pragmatism is the philosophy that connects an idea with its result. It measures the success of the idea by its its function, its appearance and its contribution to the environment in which it exists. This work examines the relationship between the methods of modern architecture and the philosophy of pragmatism. It discusses how modern architecture and pragmatism developed during the nineteenth century and offers examples of pragmatism within the work and writings of predominant practitioners and theorists of modern architecture.
The Ugly Renaissance
"Renowned as an age of artistic rebirth, the Renaissance is cloaked with an aura of beauty and brilliance. But behind the Mona Lisa's smile lurked a seamy, vicious world of power politics, perversity and corruption that has more in common with the present day than anyone dares to admit. Enter a world of corrupt bankers, greedy politicians, sex-crazed priests, rampant disease, and lives of extravagance and excess. Enter the world of the ugly Renaissance. Uncovering the hidden realities beneath the surface of the period's best-known artworks, historian Alexander Lee takes the reader on a breathtaking and unexpected journey through the Italian past and shows that, far from being the product of high-minded ideals, the sublime monuments of the Renaissance were created by flawed and tormented artists who lived in an ever-expanding world of bigotry and hatred. The only question is: will you ever see the Renaissance in quite the same way again?"
