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***WINNER OF THE COMEDY WOMEN IN PRINT PRIZE 2020*** 'Simmonds is a copper-bottomed genius... she is as brilliant a writer as Britain has' Jenny Colgan, Mail Online Cassandra Darke is an art dealer, mean, selfish, solitary by nature, living in Chelsea in a house worth £7 million. She has become a social pariah, but doesn't much care. Between one Christmas and the next, she has sullied the reputation of a West End gallery and has acquired a conviction for fraud, a suspended sentence and a bank balance drained by lawsuits. On the scale of villainy, fraud seems to Cassandra a rather paltry offence - her own crime involving 'no violence, no weapon, no dead body'. But in Cassandra's basement, her young ex-lodger, Nicki, has left a surprise, something which implies at least violence and probably a body . . . Something which forces Cassandra out of her rich enclave and onto the streets. Not those local streets paved with gold and lit with festive glitter, but grimmer, darker places, where she must make the choice between self-sacrifice and running for her life.
Posy Simmonds' extraordinary reworking of Madame Bovary as a graphic novel Gemma is the bored, pretty second wife of Charlie Bovery, the reluctant stepmother of his children and the bete-noire of his ex-wife. Gemma's sudden windfall and distaste for London take them across the Channel to Normandy, where the charms of French country living soon wear off. Is it a coincidence that Gemma Bovery has a name rather like Flaubert's notorious heroine? Is it by chance that, like Madame Bovary, Gemma is bored, adulterous, and a bad credit risk? Is she inevitably doomed? These questions consume Gemma's neighbor, the intellectual baker, Joubert. Denying voyeurism, but nevertheless noting every change in ...
Retreats give us a space for contemplation and developing our relationship with God, but they aren't always possible. So can we still appreciate and detect the everyday God, even without special 'holy' places and spiritual practices? Dancing at the Still Point is a book for those who can't or aren't ready to go away for a residential Christian retreat, but who want to be in daily relationship and connect with God in a satisfying way. In sessions that you can work through at your own pace, Gemma Simmonds guides us through the practices and disciplines of retreats, such as being still physically and spiritually, developing a habit of prayer and learning some basic discernment skills. With insights from the Ignatian Spiritual Exercises, she explores how we can fold these practices into every day and shows that a rich life of prayer, in which we have time and space to let God be present, is achievable even in a busy working or family life. Practical and flexible, Dancing at the Still Point will help you find a richer and more balanced life, where the spiritual takes its rightful place amid all the other calls on time and attention.
God’s Church in the World: The Gift of Catholic Mission presents a confident and joyful assertion of the Catholic character of Christian mission and its sacramental nature, exploring the transforming role the Catholic tradition can play in the evangelism. A range of outstanding contributors explore the gifts that the Catholic tradition - formed by a conviction that the presence of Christ in the Eucharist intensifies and motivates an awareness of the sacramental presence of Christ in the world – can bring to the church’s engagement with the world. Chapters include: • Mission and the Life of Prayer • Mission and the Sacraments • Catholic Mission in Practice • The Virgin Mary and Mission • Vocation and Mission • The Sacraments as Converting Ordinances • Social Justice and Growth in Anglo-Catholic Churches • Reflections on Scripture and Catholic Mission • Catholic Mission: Historical Perspectives The contributors represent the breadth of Catholic traditions and identities in the Church of England today.
'We all have our own battles and in this book, I've decided to be completely honest about mine. I've struggled with my weight, tried multiple fad diets, binged on tubs of ice cream and, in darker times, been scarily obsessed with food. It's been tough seeking that healthy balance in life: trying to lose weight and maintain it has been one of the hardest challenges I've faced. But I've finally found the answer, I've successfully sustained the results and am sharing my recipes and tips with you in this book, so that is why this is the happiest weight loss book ever! I promise that once you read this book, you will never look back.' Connie Simmonds Connie Simmonds, former marketing manager and ...
As with her brilliantly successful graphic novel Gemma Bovary, Tamara Drew is likewise inspired by a 19th century novel in this case, Far From the Madding Crowd. Set in a writers retreat, it is a thrilling tale of jealousy and desire. "From the Hardcover edition.""
A humorous story about a baker cat and his mice friends.
‘A leading voice in the health industry’ – Daily Express A unique, no-excuses, no-regrets body and mind revolution.
"Quietly persuasive and formally adept, the poems in Kathryn Simmonds' first collection engage with both the quotidian and the transcendental. Often in urban or suburban settings, her protagonists struggle with mundane tasks such as cooking or commuting or office work - all the obstacles of modernity - and then, by some shift of attention, or by some keen narrowing of focus, they chance upon the surreal or the spiritual.This is a poetry of subtle contexts and allusions, as much concerned with the vulnerability of the body as for the fate of the soul and the idea of 'keeping faith' in God and life." --Book Jacket.
In May 1977 Posy Simmonds, an unknown young illustrator, started drawing a weekly comic strip for the Guardian. It began as a silly parody of girls' adventure stories, making satirical comments about contemporary life. The strip soon focused on three 1950s school friends in their later middle-class and nearly middle-aged lives: Wendy Weber, a former nurse married to polytechnic sociology lecturer George with a large brood of children; Jo Heep, married to whisky salesman Edmund with two rebellious teenagers; and Trish Wright, married to philandering advertising executive Stanhope and with a young baby. The strip, which was latterly untitled and usually known just as 'Posy', ran until the late 1980s. Collected here for the first time are the complete strips. Although celebrated for pinpointing the concerns of Guardian readers in the 1980s and their constant struggle to remain true to the ideals of the 1960s, they are in fact remarkably undated. They show one of Britain's favourite cartoonists, celebrated for Literary Life and Tamara Drewe, maturing into genius.