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Identity has become the watchword of our times. In sub-Saharan Africa, this certainly appears to be true and for particular reasons. Africa is urbanising rapidly, cross-border migration streams are swelling and globalising influences sweep across the continent. Africa is also facing up to the challenge of nurturing emergent democracies in which citizens often feel torn between older traditional and newer national loyalties. Accordingly, collective identities are deeply coloured by recent urban as well as international experience and are squarely located within identity politics where reconciliation is required between state nation-building strategies and sub-national affiliations. They are a...
The first of two companion volumes emanating from the partnership between the French Institute (IFAS), the Institute for Global Dialogue (IGD, formerly FGD) and the Human Sciences Research Council (HSRC) and based on the 1997 conference of the same name held in Pretoria ; the second volume entitled, Shifting African Identities is based on the 1998 Cape Town conference, also of the same name. ; a third companion volume in this series on identity and nation building is entitled, National Identity and Democracy in Africa - a joint product of the Nordic Africa Institute, Sweden and the Mayibuye Centre at UWC based on their March 1997 conference.
Winner of the 2002 Outstanding Book Award presented by the International and Intercultural Communication Division of the National Communication Association The election of 1994, which heralded the demise of Apartheid as a legally enforced institutionalization of "whiteness," disconnected the prior moorings of social identity for most South Africans, whatever their political persuasion. In one of the most profound collective psychological experiences of the contemporary world, South Africans are renegotiating the meaning of their social positionalities. In this book, Melissa Steyn, herself a white South African, grapples with what it means to be white, reflecting on events in her past that still resonate with her today. Her research includes discourse with more than fifty white South Africans who are faced with reinterpreting their old selves in the light of new knowledge and possibilities. Framed within current debates of postcolonialism and postmodernism, "Whiteness Just Isn't What It Used To Be" explores how the changes in South Africa's social and political structure are changing the white population's identity and sense of self.
In this timely and essential book, Stephen Chan explores the political landscape of southern Africa, examining how it's poised to change over the next years and what the repercussions are likely to be across the continent. He focuses on three countries in particular: South Africa, Zimbabwe, and Zambia, all of which have remained interconnected since the end of colonial rule and the overthrow of apartheid. One of the key themes in the book is the relationship between South Africa and Zimbabwe, and Chan sheds new light on the shared intellectual capacities and interests of the two countries' respective presidents, Jacob Zuma and Robert Mugabe. Along the way, the personalities and abilities of key players, such as Morgan Tsvangirai, the prime minister of Zimbabwe, and former South African president Thabo Mbeki, emerge in honest and sometimes surprising detail. In "Southern Africa," Chan draws on three decades of experience to provide the definitive inside guide to this complex region and offer insight on how the near future is likely to be a litmus test not just for this trio of countries but for all of Africa.
Case studies of metropolitan cities in nine African countries - from Egypt in the north to three in West and Central Africa, two in East Africa and three in Southern Africa - make up the empirical foundation of this publication. The interrelated themes addressed in these chapters - the national influence on urban development, the popular dynamics that shape urban development and the global currents on urban development - make up its framework. All authors and editors are African, as is the publisher. The only exception is Gran Therborn whose recent book, Cities of Power, served as motivation for this volume. Accordingly, the issue common to all case studies is the often conflictual powers th...
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He...
Why are cities centers of power? A sociological analysis of urban politics In this brilliant, very original survey of the politics and meanings of urban landscapes, leading sociologist Göran Therborn offers a tour of the world’s major capital cities, showing how they have been shaped by national, popular, and global forces. Their stories begin with the emergence of various kinds of nation-state, each with its own special capital city problematic. In turn, radical shifts of power have impacted on these cities’ development, in popular urban reforms or movements of protest and resistance; in the rise and fall of fascism and military dictatorships; and the coming and going of Communism. The...
On 21 March 1960 several hundred black Africans were injured and 69 killed when South African police opened fire on demonstrators in the township of Sharpeville, protesting against the Apartheid regime's racist 'pass' laws. The Sharpeville Massacre, as the event has become known, signalled the start of armed resistance in South Africa, and prompted worldwide condemnation of South Africa's Apartheid policies. The events at Sharpeville deeply affected the attitudes of both black and white in South Africa and provided a major stimulus to the development of an international 'Anti-Apartheid' movement. In Sharpeville, Tom Lodge explains how and why the Massacre occurred, looking at the social and political background to the events of March 1960, as well as the sequence of events that prompted the shootings themselves. He then broadens his focus to explain the long-term consequences of Sharpeville, explaining how it affected South African politics over the following decades, both domestically and also in the country's relationship with the rest of the world.
In an unusual merging of academic and literary practices, this volume attempts to identify a form (or forms) that is congenial with the subject of interrogation: the world in transition, with South Africa as the main focal point. Approaching anthropology from the position of the literary writer, Oscar Hemer here takes the reader through a kaleidoscope of perspectives—a stream-of-consciousness understanding of “writing the city” of Johannesburg, embedding ethnography in subjectivity; a challenge to binaries both temporal and gendered in examining the growth of the IT metropolis Bangalore to a combusting mega-city; an auto-ethnographic interweaving of fictional reportage with a close-reading of anthropological and philosophical treatises, including Mary Douglas’s Purity and Danger and Edouard Glissant’s Poetics of Relation, among others—to interrogate themes of transition, identity, purity and variation in the Western Cape. As the form transcends boundaries to create a methodological hybrid, creolization comes to the fore as a theoretical concept and as cultural practice.