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Engineers of Human Souls
Four writers. Four dictators. One world, changed out of all recognition. ENGINEERS OF HUMAN SOULS is an intimate and shocking shadow history of creative vanity in a time that turned writers - once the faithful servants of authority - into figures of political consequence. Maurice Barrès, who first wielded the politics of identity. Gabriele D'Annunzio, whose poetry became a blueprint for fascism. Maxim Gorky, dramatist of the working class and Stalin's cheerleader. The Maoist Ding Ling, whose stories exculpated the regime that kept her imprisoned. All four nursed extravagant visions of the future, and believed they were vital to its realisation. Each was lured to the centre of political action. Each established a dangerous and damaging relationship with a notorious dictator. And when writers and rulers find a use for each other, the consequences can be shattering for us all. These stories - of courage and compromise, vanity and malevolence - speak urgently to the uncontrollable power of words.
Stalin and the Scientists
“One of the finest, most gripping surveys of the history of Russian science in the twentieth century.” —Douglas Smith, author of Former People: The Final Days of the Russian Aristocracy Stalin and the Scientists tells the story of the many gifted scientists who worked in Russia from the years leading up to the revolution through the death of the “Great Scientist” himself, Joseph Stalin. It weaves together the stories of scientists, politicians, and ideologues into an intimate and sometimes horrifying portrait of a state determined to remake the world. They often wreaked great harm. Stalin was himself an amateur botanist, and by falling under the sway of dangerous charlatans like Tr...
Wolves
The new novel from Simon Ings is a story that balances on the knife blade of a new technology. Augmented Reality uses computing power to overlay a digital imagined reality over the real world. Whether it be adverts or imagined buildings and imagined people, with Augmented Reality the world is no longer as it appears to you, it is as it is imagined by someone else. Two friends are working at the cutting edge of this technology and when they are offered backing to take the idea and make it into the next global entertainment they realise that wolves hunt in this imagined world. And the wolves might be them. A story about technology becomes a personal quest into a changed world and the pursuit of a secret from the past. A secret about a missing mother, a secret that could hide a murder. This is no dry analysis of how a technology might change us, it is a terrifying thriller, a picture of a dark tomorrow that is just around the corner. Ings takes the satire and mordant satirical view of J.G. Ballard and propels it into the 21st century.
The Smoke
Nominated for the 2019 Kitschie Awards for best novel, Simon Ings' The Smoke is about love, loss and loneliness in an incomprehensible world. Humanity has been split into three different species. Mutual incomprehension has fractured the globe. As humans race to be the first of their kind to reach the stars, another Great War looms. For you that means returning to Yorkshire and the town of your birth, where factories churn out the parts for gigantic spaceships. You're done with the pretentions of the capital and its unfathomable architecture. You're done with the people of the Bund, their easy superiority and unstoppable spread throughout the city of London and beyond. You're done with Georgy Chernoy and his questionable defeat of death. You're done with his daughter, Fel, and losing all the time. You're done with love. But soon enough you will find yourself in the Smoke again, drawn back to the life you thought you'd left behind. You're done with love. But love's not done with you.
Wolves
The new novel from Simon Ings is a story that balances on the knife blade of a new technology. Augmented Reality uses computing power to overlay a digital imagined reality over the real world. Whether it be adverts or imagined buildings and imagined people, with Augmented Reality the world is no longer as it appears to you, it is as it is imagined by someone else. Two friends are working at the cutting edge of this technology and when they are offered backing to take the idea and make it into the next global entertainment they realise that wolves hunt in this imagined world. And the wolves might be them. A story about technology becomes a personal quest into a changed world and the pursuit of a secret from the past. A secret about a missing mother, a secret that could hide a murder. This is no dry analysis of how a technology might change us, it is a terrifying thriller, a picture of a dark tomorrow that is just around the corner. Ings takes the satire and mordant satirical view of J.G. Ballard and propels it into the 21st century.
Dead Water
A conspiracy that dates from World War Two starts to unravel in the aftermath of an act of piracy: a genre-defying thriller from a critically acclaimed British author. Off the coast of Sri Lanka, a tramp steamer is seized by pirates. The captain has his wife and son aboard and knows that their survival depends on giving the pirates exactly what they want. But what can they possibly want with his worn-out ship and its cargo of junk? On the island of Bali a tsunami washes up a rusting container. Inside, the mummified remains of a shipping magnate missing for 30 years and a hand-written journal of his last days locked within his aluminum tomb. Through the dusty industrial towns of India's Great Trunk Road, a disgraced female detective tracks a criminal syndicate. Her life has been ruined, but she will have her revenge. In a backstreet Mayfair office, an automated distress signal is picked up on a private satellite network. A ship is missing. A Dead Water ship. Dead Water is the key to everything. A code name for a covert operation initiated during World War Two. But why is it unravelling now, and what will the consequences be?
We, Robots
Artificial intelligence in 100 stories. To ready us for the inevitable, here are 100 of the best short stories ever written – most of them by humans – about artificial intelligence. Simon Ings has assembled anthropomorphic cyborgs and invertebrate AIs, thuggish metal lumps and wisps of manufactured intelligence so delicate that if you blink you might miss them in the new overlord of all robot literary compendiums. It's Alive! is about inventors and their creations. Following the Money drops robots into the day-to-day business of living. Owners and Servants considers the human potentials and pitfalls of owning and maintaining robots. Changing Places looks at what happens at the blurred interface between human and machine minds. All Hail the New Flesh waves goodbye to the physical boundaries that once separated machines from their human creators. Succession considers the future of human and machine consciousnesses – in so far as we might have one. With 100 stories spanning an order of magnitude more pages, Simon Ings's We, Robots is the new overlord of all robot literary compendiums. Welcome it.
Hot Head
An ambitious SF novel that is at once post-cyberpunk and post-modern. Complex, multi-layered, it combines hard science, tarot and images of late 20th-century Europe to make something utterly original. And introduces a memorable new heroine to the genre ... Malise has a problem. She's come downwell to Earth, but years of space combat have ruined her: her muscles have wasted away, her past is a confused torture of events and her brain is wired to addictive military hardware that's illegal on Earth. But with an AI mining probe returning to Earth, having bred and grown until it is hundreds of miles across, Malise is in the firing line again. The probe is indestructible and it is insatiable for more metals. No one knows how to stop it. Malise doesn't know she has a blueprint for humanity's survival wired into her head.
The Weight of Numbers
Winner of the O2 X Award 'Dynamic'-- Daily Telegraph 'Dazzling'-- Guardian 'Ambitious and virtuoso'-- Financial Times 'Unforgettable'-- The Times 'Ingenious... shimmering'-- New Statesman On July 21, 1969 two astronauts set foot on the moon; far below, in ravaged Mozambique, a young revolutionary - hailed as the saviour of his country - is murdered by a package bomb. From these two unconnected events, Simon Ings weaves a great and glittering web that entangles four lives: Anthony Burden, a mathematical genius destroyed by the beauty of numbers; Saul Cogan, transformed from prankster idealist to trafficker in the poor and dispossessed; and Stacey Chavez, ex-teenage celebrity and mediocre performance artist, hungry for fame and starved of love. All are haunted by Nick Jinks, a man who sows disaster wherever he treads. As the twentieth century unravels, Burden, Cogan, Chavez and Jinks are powerless to escape the connections that bind them. This is not fate, but its opposite: the weight of numbers.
The Eye
We spend about one-tenth of our waking hours completely blind - only one percent of what we see is in focus at any one time. You don't need eyes to see - blind volunteers have been taught to see through their chests. Through a spellbinding mix of scientific research, mathematics, philosophy, history, myth, anecdote and language theory, Simon Ings brilliantly unravels the never-ending puzzle of how and why we see in the way that we do. With the help of a beguiling mix of illustrated visual conundrums and enigmas, Ings triumphs with a compelling dissection of the eye's age-old mysteries that is both seriously interesting and interestingly fun.
