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Fictioning
In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the process of fictioning in contemporary art through three focal points: performance fictioning, science fictioning and machine fictioning.
Art Encounters Deleuze and Guattari
In a series of philosophical discussions and artistic case studies, this volume develops a materialist and immanent approach to modern and contemporary art. The argument is made for a return to aesthetics - an aesthetics of affect - and for the theorization of art as an expanded and complex practice. Staging a series of encounters between specific Deleuzian concepts - the virtual, the minor, the fold, etc. - and the work of artists that position their work outside of the gallery or 'outside' of representation - Simon O'Sullivan takes Deleuze's thought into other milieus, allowing these 'possible worlds' to work back on philosophy.
On the Production of Subjectivity
This book offers a series of critical commentaries on, and forced encounters between, different thinkers. At stake in this philosophical and psychoanalytical enquiry is the drawing of a series of diagrams of the finite/infinite relation, and the mapping out of the contours for a speculative and pragmatic production of subjectivity.
Futures and Fictions
Futures and Fictions is a book of essays and conversations that explore possibilities for a different ‘political imaginary’ or, more simply, the imagining and imaging of alternate narratives and image-worlds that might be pitched against the impasses of our neoliberal present. In particular, the book contributes to prescient discussions around decolonization, post-capitalism and new kinds of social movements – exploring the intersections of these with contemporary art practice and visual culture. Contributions range from work on science, sonic and financial fictions and alternative space-time plots to myths and images generated by marginalized and ‘minor’ communities, queer-feminist strategies of fictioning, and the production of new Afro- and other futurisms.
Deleuze and Contemporary Art
What is the importance of deconstruction, and the writing of Jacques Derrida in particular, for literary criticism today? Derek Attridge argues that the challenge of Derrida's work for our understanding of literature and its value has still not been fully met, and in this book, which traces a close engagement with Derrida's writing over two decades and reflects an interest in that work going back a further two decades, shows how that work can illuminate a variety of topics. Chapters include an overview of deconstruction as a critical practice today, discussions of the secret, postcolonialism, ethics, literary criticism, jargon, fiction, and photography, and responses to the theoretical writi...
The WWE Championship
Presents a history of the championship matches hosted by World Wrestling Entertainment, tracing their expansion and popularity throughout the world, and citing the contributions of such performers as Hulk Hogan, Andre the Giant, and the Iron Sheik.
Flawbulous
There is never a dull moment for Mount Zion Ministries' main ladies, but this time around, the ladies find themselves fighting to stay afloat amid the storm. Charles and Sullivan Webb's happy home life comes crashing down around them after Sullivan is critically injured in a car accident. Charles is faced with having to choose between saving the life of his pregnant wife or that of his unborn child. Lawson Banks had barely gotten used to the idea of being a stepmother to husband Garrett's love child when her teenage son, Namon, informs her that she is about to become a grandmother. Lawson struggled as a teen parent, and she will stop at nothing to make sure history doesn't repeat itself. Ang...
Visual Cultures as Objects and Affects
Largely due to the "linguistic turn" that has dominated the humanities since the mid-twentieth century, many contemporary scholars and artists habitually equate works of art with highly coded texts to be deciphered, deconstructed, or otherwise interpreted. Here, meaning, value, and impact have been fundamentally linked to art's capacity to "speak," to represent, to raise questions about representation, to convey a message, or articulate a concept. Much visual culture scholarship has tried to engage with art and the image-world outside of these logics. Within this quest to consider art differently, Jorella Andrews and Simon O'Sullivan pay attention to the asignifying character of art, or simp...
Windfall
"A powerful argument for how America should capitalise on the 'New Energy Abundance'."--The Financial Times "Riveting and comprehensive...a smart, deeply researched primer on the subject."--The New York Times Book Review Windfall is the boldest profile of the world's energy resources since Daniel Yergin's The Quest. Harvard professor and former Washington policymaker Meghan L. O'Sullivan reveals how fears of energy scarcity have given way to the reality of energy abundance. This abundance is transforming the geo-political order and boosting American power. As a new administration focuses on raising American energy production, O'Sullivan's Windfall describes how new energy realities have prof...
He Only Died Twice
In 1957, I witnessed a trial in Mongu, Zambia (then Northern Rhodesia), in which there was great argument about whether a death had been caused by witchcraft or by a very minor wound from an inefficient firearm,” says author Chris Elgood. He Only Died Twice was inspired by this real-life incident. When the British government wants someone dead who is beyond the normal reach of the law, an arrangement is reached with an African woman to carry out the deed. Nshila Ileloka holds the highest degrees from universities in England, but this capable assassin also knows witchcraft. Born in a remote African village, Nshila was befriended by the local witch doctor who taught her his particular skills. She is moral and fastidious, making sure the targets to be removed are sufficiently villainous. Nshila is contacted independently by two British government agencies that never speak to each other. Both name a man they want killed. Her research reveals her target is really one person operating under two different names and conducting two separate criminal activities. To satisfy her clients and collect two fees, she must kill one person, but appear to produce two bodies.
