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A Renaissance Architecture of Power
The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance architecture. The novelties, however, went far beyond architectural forms: they involved the reorganisation of courtly interiors and their functions, new uses for the buildings, and the relationship between the palaces and their surroundings. The whole urban setting was affected by these processes, and therefore the social, residential and political customs of its inhabitants. This is the focus of A Renaissance Architecture of Power, which aims to analyse from a comparative perspective the evolution of Italian court palaces in the Renaissance in their entirety. Contributors are Silvia Beltramo, Flavia Cantatore, Bianca de Divitiis, Emanuela Ferretti, Marco Folin, Giulio Girondi, Andrea Longhi, Marco Rosario Nobile, Aurora Scotti, Elena Svalduz, and Stefano Zaggia.
Cultures of Knowledge
Looking at knowledge transmission as a cultural feature, this book isolates and examines the individual factors that affect knowledge in the making and created uniquely Chinese cultures of knowledge. The volume is organized into four sections: Internode, Imperial Court, Agora, and Scholarly Arts. Each has a theoretical introduction, followed by two core contributions from experts in Chinese history. The section concludes with a ‘reflection’ by a historian of Western Technology who scrutinizes each sphere and identifies the points that reflect universal technological experience. The combination of broadly sketched theoretical introductions and detailed core contributions provides an unparalleled insight into pre-modern Chinese history from the Song to early Qing dynasty, revealing Chinese attitudes towards innovation and invention.
Chianti Classico
This book tells the story of the ancient land named Chianti and the modern wine appellation known as Chianti Classico. In 1716, TuscanyÕs penultimate Medici ruler, Cosimo III, anointed the region of Chianti, along with three smaller areas in the Florentine State, as the worldÕs first legal appellations of origin for wine. In the succeeding centuries, this milestone was all but forgotten. By the late nineteenth century, the name Chianti, rather than signifying this historic region and its celebrated wine, identified a simple Italian red table wine in a straw-covered flask. Ê In the twenty-first century, Chianti Classico emerged as one of ItalyÕs most dynamic and fashionable wine zones. Ch...
Animation, Plasticity, and Music in Italy, 1770-1830
This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770–1830. Animation, Plasticity, and Music in Italy, 1770–1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.
Contributi italiani al XIII Congresso Internazionale degli Slavisti
The Italian contributions to the XIII International Congress of Slavists (Ljubljana, 15-21 August 2003) had a very limited circulation between the participants in the congress and the restricted circle of experts. Considering the high scientific value of the individual contributions, to which we continue to refer in the framework of Slavic literature, it was decided to publish these acts in the series "Library of Slavic Studies" also to celebrate the ten years of its existence. Faced with a consolidated tradition of studies in the philological and literary field, Italian Slavistics of the beginning of the millennium found itself facing new needs. On the one hand, a new generation of linguist...
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